I believe that when Eddie Redmayne took over this book, he was determined to become the first protagonist Felicity Jones with director Tom Harbour. The advancement of the whole story is very similar to Jones's "The Revenant" exploration, with high effort in exchange for efficient income. The studio shot of the scene on the high-altitude hot air balloon is a test of the director's judgment on the light and the way of framing. Generally speaking, it is handled well. The rain, fog, frost, and butterfly snow trickle change frequently. Of course, the part of the ground dialogue is still slightly more, if the proportions are adjusted, the dramatic conflict effect will be better.
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