Go back and learn traffic rules

Major 2021-11-15 08:01:26

7.8

Carl Jung believes that the Ouroboros reflects the prototype of human psychology. Some people used multiple perspectives to achieve this collection of horror, suspense, gang, love, action, and film noir Mobius belt structures, like " "Pulp Fiction", Lynch uses a single perspective. Some people deceive the audience with the closedness of the play. Like "Pulp Fiction", Lynch uses the image itself, and of course it also has credit for the soundtrack. There should be real things in order to prompt falsehoods, and to exist in time, so with the scene in prison, reality is like a flashback of illusion.

Large depression angles and fixed shots take too long, so they represent peeping, the peeping of a mysterious man. From the beginning, this is the subjective memory of jazz musicians: I jump out of my body to look back at myself, and become another person to re-verify myself. These two methods are exactly the way he enters and leaves the facts, that is, examining himself in the videotape and turning into a car mechanic. What separates them are two different fears. The first half shows the fear of being pryed into the world, and the second half shows the fear of the prying eyes.

What jazz musicians hate is the camcorder, because it goes against his way of memory. Lynch showed new possibilities. Everyone misunderstood. What we mistakenly recorded in images must be "facts", but images recorded in images can actually be "experiences." Therefore, there are as many mistranslations as there are clues. In fact, these mistranslations make up life, not reality. The weirdness of the illusion comes from the details, we have never seen them like this, the lips, the curtain.

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Extended Reading
  • Shaun 2022-04-23 07:01:44

    "Story" is quite Shuangfeng P18, and the experience is only stronger than "My Heart is Wild" in Lynch I have watched, so I should practice for "Mulholland Drive".

  • Herminio 2022-03-26 09:01:04

    It is said that David Lynch's films do not focus on the plot, but in fact he just likes to confuse dreams and imagination with reality, and he is very good at using Hitchcock's so-called "bomb theory" to keep throwing it at the audience. Under the suspense, this one is more difficult to understand than "Mulholland Drive", because the visual intuitiveness is also gone.

Lost Highway quotes

  • Fred Madison: Andy, who is that guy?

    Andy: I don't know his name. He's a friend of Dick Laurent's, I think.

    Fred Madison: Dick Laurent?

    Andy: Yeah, I believe so.

    Fred Madison: But Dick Laurent is dead, isn't he?

  • Fred Madison: Dick Laurent is dead...