Eastern Greek Tragedy

Carmela 2022-03-21 09:02:10

The film deliberately downplays the aesthetic and musical structure, allowing the audience to pay more attention to the helplessness and desolation of individual fate under the rules of hypocrisy.

Suicide played an important ritual role in the samurai class in ancient Japan and was considered an important part of the Bushido ethos. Incision is often used as punishment, but it is also often voluntary. It can be said that this is both a matter of personal honor for a samurai and a tool to maintain the daimyo's rule. The film forces the audience to confront this traditional cruelty and question its morality. Tsugumo Hanshiro questioned both Bushido itself and the authenticity of the samurai creed. Bushido, he asserted, was a facade, not a symbol of discipline. Whether these claims are correct is a question that the film leaves the audience to decide. The destruction of warm families and the mutilation of human nature by icy social laws; each scene provides further evidence as the story progresses. The combination of ethereal honor and chaotic reality has led to the tragedy of the times.

Until the very last scene, Ronin brilliantly exposes the so-called sacred mantle. Jinyun Hanshiro took two actions to break the self-righteousness of the old family. The first occurs in the last moments of his narration, where he reverses the traditional relationship between samurai and honor, turning the bamboo sword that used to symbolize Shizuo's quest for a daughter into a symbol of loyalty and love to his wife and children. The second time was after Yujie-san dismissed the story of Tsuyun Hanshiro, the so-called order has been proved to be a filthy bondage of inhumanity, and the ancestral armor of the Ii clan was desecrated in the final battle. And the circumstances that lead the clan to resort to firearms to defeat the protagonist, involuntarily undermine the tradition of Bushido.

The victorious Yujia Lao covered up the tragedy of the Ronin and the shame of the clan with his understatement. The princes and nobles continued to wear arty clothes, misinterpreting morality and benevolence. Sadly, the trail of the wheels of history doesn't always give a definitive answer.

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Extended Reading
  • Priscilla 2022-03-21 09:02:10

    "Today's fate of others will be your own portrayal tomorrow." Use a storytelling movie to shoot the storytelling; use the warning issued by the protagonist to warn the audience in front of the screen; use the smashing armor that symbolizes faith, come Expose the pretense of a ruthless government... If Bushido is just a facade, then war and peace are nothing but lies and deals; if experience is the best teacher, then the deepest human experience is the lesson of history. Therefore, after the Great War of Sekihara corresponds to the after World War II; and this film is an out-and-out political thriller. In the end, the wind blows, the weeds dance, the sound of the piano is bleak; the knife sees blood, who can see the vague truth? Perhaps all we can see is a new era in which the world is peaceful, the four seas are peaceful, and even the wind will not blow the leaves.

  • Chelsea 2021-12-22 08:01:08

    #重看# A perfect interpretation of the so-called combination of movement and static, movement is like taking off a rabbit and quiet as a virgin, between Zhang Chi and awe-inspiring killings, clamoring with gold and iron horses, swallowing thousands of miles like a tiger, silently thundering in the deep depths of the darkness. The climax scene is a fighting scene of violent grass. The sound of the wind rolls over the grass waves like thunder, the clouds are pressing on the top, and the tilted composition is like death possessed. Tatsuya Nakadai opens his arms to embrace the wind in his arms, and his face is solemn and solemn like a sculpture. It is worth remembering. The moment of film history. There are subtle similarities between the script and "Rashomon" and "Seven Samurai", the truth and misunderstanding of the retelling, the helplessness of Bushido's decline and death (but the final solution is a gun), and the armor that carries the ghost of history is like a façade. The skin of nothingness was finally lifted and shattered. Both the setting and the performance have the style of theatrical drama, with a sense of ceremonial solemnity, which meets the need to "cut the belly" in the spirit of the samurai. This is a contest between the glory of the facade and the supreme dignity of life, and the written history has always been arrogant. smear. His soul had come back, and gently opened the door just to say goodbye.

Hara-Kiri quotes

  • Hanshiro Tsugumo: The greatest delicacies taste of nothing when one dines alone.

  • Kageyu Saito: The ronin from Hiroshima, Hanshiro Tsugumo, committed hara kiri. All our own men died of illness. The house of Iyi has no retainers who could be felled or wounded by some half-starved ronin.