human nature

Allie 2022-03-21 09:01:42

The first section starts from the film until the hero Fred kills his wife and is sentenced to death in prison - this is the reality and the ending of the story; Peter turns into Fred again in the desert - this is actually a dream of the protagonist Fred in prison; the third part changes from Peter back to Fred until the end of the film - this is still Fred's dream, but half Half-truth, most of the details happened in reality and happened before the first paragraph, which actually explained the cause of the story. David Lynch is so amazing, this movie and his Mulholland Drive a few years later. We have seen a lot of movies that describe crime, but there are only a handful of them that describe crime and criminal psychology. What is even more incredible is that a film can be watched three or five times in a row, and every time you watch it, you can discover the infinite mysteries hidden in it.

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Extended Reading
  • Toni 2022-04-24 07:01:05

    The eerie green and coquettish red constitute the main color melody, supplemented by the toughness and mystery of gothic metal, which makes people unable to not love. Suspended between reality and dream, it seems chaotic but is connected everywhere; although the story itself has no depth, the audio-visual experience is really wonderful, leaving just the right polysémie to imagine.

  • Opal 2022-04-22 07:01:10

    make people love and hate

Lost Highway quotes

  • [Pete, disturbed by the saxophone music on a radio, switches the channels]

    Phil: What'd you change it for? I liked that.

    Pete Dayton: Well, I don't!

    Phil: I liked that.

  • Bill Dayton: The police called us today.

    Pete Dayton: What'd they want?

    Bill Dayton: They wanted to know if we had a chance to find out what happened to you the other night. And they wanted to know if you remembered anything.

    Pete Dayton: But... I don't remember anything. What'd you tell them?

    Bill Dayton: [after a long pause] We're not going to say anything about that night to the police.

    Candace Dayton: We saw you that night, Pete.

    Bill Dayton: You came home with your friend, Sheila.

    Pete Dayton: Sheila?

    Bill Dayton: Uh-huh. There was a man with you two.

    Pete Dayton: What is this? Why didn't you tell me anything? Who was the man?

    Bill Dayton: I've never seen him before in my life.

    Pete Dayton: What happened to me? Please Dad, if you know, tell me.

    [Bill and Candace sorrowfully look away from Pete]