Aftermath of the Revolution

Timmy 2022-03-21 09:03:15

The Mexican Revolution with the participation of Irish revolutionaries.

It feels like the film is exploring why revolution is necessary. How to be considered a true revolutionary. John participated in the Revolution in Ireland, experienced friendship, love, betrayal, wandering. He met Juan in Mexico. While he managed to get the bandit involved in the revolution, Juan had his own questions about the revolution. He was tired of the so-called revolution that changed like a wheel, and he was unwilling to serve as cannon fodder for these so-called revolutionaries. But he was infected by John and was willing to follow him through life and death. Disheartened, John, who has experienced betrayal again, decides to go to America. Inadvertently, they were involved in another battle and killed the dictator and his accomplices in the uprising. In the process, he had doubts about the betrayal again. Whether the betrayers were good or bad, these people were all before the betrayal. His close friends, and then faced death without hesitation, their betrayal was not because they were afraid of death, but because they could not bear the torture. John re-understood these things and these people, and the revolution became more obscure. His battles became a personal grudge against the dictator and his accomplices, far removed from the original purpose of the revolution. In the film, through John's eyes, see the city under the control of the dictator, opponents are shot, insurgents are shot, innocent people are slaughtered for no reason, but in the later part of the film, it is still through his eyes, see. The thing is that the victorious insurgents drive the losers together and massacre them. All this left him confused about the meaning of the revolution. There are four flashbacks of John in the movie, the first four are the friendship of the three people, and the second three are the friend's betrayal and his resistance. This may be the different nature of revolution. However, the author of this film is not very optimistic about the revolution, but he has not found other ways to make social progress and change people's ideas. At the beginning of the movie, Juan urinated on the busy ants under the roots of the tree, which may be his point of view.

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Extended Reading
  • Mabelle 2022-03-27 09:01:20

    The battle of time and space in September, after this battle, time won a complete victory. Facts have proved that none of Leon's works can be watched alone at home. The flashback points to forty years ago, and it also points to today. She, subconsciously inspired the human mummy mind.

  • Ettie 2022-01-29 08:06:06

    Leone scolded the rightists and the leftists, but the result is: my grandma doesn't love my uncle

Duck, You Sucker! quotes

  • [Juan runs to escape a horde of revolutionaries, but is grabbed by John]

    John H. Mallory: Where are you goin', for Christ's sake?

    Juan Miranda: I don't know. I don't know, but something's wrong! I went into the bank. But when I go in the bank, there's nothing there, no money, nothing.

    John H. Mallory: Oh, well, the bank and the money were transferred to Mexico City over a month ago. Well, they've been using this place for a political prison ever since.

    [Juan suddenly cocks his gun at John, who chuckles]

    Juan Miranda: What do you mean, a political prison?

    John H. Mallory: Well, I never said a thing about money. All I asked you was if you wanted to get inside.

    Juan Miranda: But you know that this bank is my life! This is my dream!

    John H. Mallory: Well, the reality of that is... you just liberated a hundred and fifty patriots through sheer courage in the face of danger.

    [giggles]

    John H. Mallory: Ah, yes... you're a grand hero of the revolution now. Viva Miranda.

    [the cheering crowd lifts Juan onto its shoulders]

    Juan Miranda: I don't wanna be a hero! All I want is the money, the money!

    John H. Mallory: VIVA MIRANDA!

    Juan Miranda: You taught me one thing!

    John H. Mallory: [laughing] What?

    Juan Miranda: How to get FUCKED!

    [gives John the finger]

  • Juan Miranda: What kinda work you do for the German? Listen, I asked you a question. What do you do for the German?

    John H. Mallory: I've been looking for silver.

    Juan Miranda: Silver? You know something? I don't understand you. I don't understand how you waste your time and your holy water looking for silver. To me, that's a sin.

    John H. Mallory: Do you have any better ideas?

    Juan Miranda: Si, I think gold is better than silver.

    John H. Mallory: Ah, there isn't any gold in these hills.

    Juan Miranda: Oh ho, yes there is! In Mesa Verde.

    John H. Mallory: Mesa Verde? It's a city.

    Juan Miranda: Of course it's a city! Who ever heard of having a bank in the country, huh?

    John H. Mallory: Uh huh. A bank?

    Juan Miranda: Not "a bank." *The bank!* The most beautiful, wonderful, fantastic, gorgeous, magnificent bank in the whole world! When you stand before the bank and you see it has the gates of gold, like it was the gates of heaven. And when you go inside, everything, *everything* is gold! Gold spittoons, gold handles, and money, money, money is everywhere. And you know, I know 'cause I saw this when I was eight years old. I went there with my father. He tried to rob the bank, but they caught him. But they will never catch me, eh, Papa?

    Papa Miranda: Right.

    Juan Miranda: Listen, Firecracker. Now you listen to me... listen, why don't you come with me, eh? And we will work together... and we will become rich.

    [chuckles]

    Juan Miranda: What the hell is your name?

    John H. Mallory: [wearily] Seán...

    Juan Miranda: What?

    John H. Mallory: John.

    Juan Miranda: What is your name?

    John H. Mallory: John.

    Juan Miranda: [laughs] That's fantastic, that is incredible, eh! My name is Juan and yours is John! It's Juan and John, eh? Heh, heh!

    John H. Mallory: So what?

    Juan Miranda: What do you mean, "So what?" Can't you understand that is... that is... the... oh... ah... destiny.

    [John remembers his girlfriend and friend]