The 9th competition day of the main competition unit of the 15th #Faro IslandFilm Festival# brings you "Mirror". Please see the fascinating comments of the illusory people on the front line below!
Jeremy Sun:
It's not clear, but it's definitely a captivating image.
Fruit trees:
Watching Laota's movies at different stages of life will give you different feelings.
Mozart Lumso:
I can feel that the screen exists as a separation between film and reality, and only the poetry and music in the picture can make me feel the wonderful harmony.
We Min Hee:
The picture is full of marks, and the narrative is not as fragmentary as expected. In fact, there is quite a context to follow, but this is not something that others can integrate into. Your relationship with your mother determines your relationship with the world.
Mimi:
The memory of time, the joys and sorrows of the mirror. The slow motion of the old tower is so charming, the time is lost, the attraction like a black hole, and the fate of the wind and waves. Who pushes me forward like fate? It was me, striding behind my back. --- Tagore
Mishima travels at sea:
Poems are woven into baskets as vines, linking different images. The wind, leaves and milk of northern Eurasia are placed here, telling about life, marriage, war and death. I was immersed in the wonderful movement of the camera, and the story was not yet clear. I will definitely read it again, reading this distant world, reading this scattered dream projected in the mirror.
Pincent:
Water, fire, wind, belong to Tarkovsky's film elements. time, memory, dreams. The monologue and ending of the poem have multiple long shots. Individual and history, a life of repentance and confusion. Beautiful shots and emotions. Man is a mirror, the world is a mirror, and art is also a mirror. The image of the photographer, the meta-film element of the autobiography.
Matsuno Somatsu:
Memories seem to have no color. The focus of our memories of the past is always what happened, but the details of color usually do not exist. When we think about color, memories are mixed with imagination, and in the fusion of memory and imagination, the mirror reflects. Out of our original intention, the black and white world began to appear surreal, and the color world gradually became real.
Midnight no one:
The world written in poetry always has to be shared with too many people's self-righteous annotations. That's why images are needed, enough to hold my own paradise. Every mirror is the key to waking and dreaming, following the long and narrow ropeway of memories, leading to my childhood, my mother, my courtyard, and the old time I left behind. The huge symphony and the confident cry of the new born resonate at the end, and all the deceased scenery seats sit peacefully in the parallel time and space. The most beautiful state of a film is this: the audience resonates supremely, and the author, from beginning to end, just wants to tell himself.
Dazhao:
It belongs to such a category of films as "Old Man's Sadness", which can be put together with "Wild Strawberry" and "Eternity and One Day". Wild Strawberry is the most straightforward and the mirror is the most profound. A year ago, I was shocked and couldn't understand it, but now I know there is nothing to understand, I just feel it. "Art is montage." Few contemporary filmmakers have the courage to express their hearts in this way. Private images are not art, but art can be private. The mirror is the wooden house, the snowy battlefield, the pages of the book blown away by the wind, it is a cycle, the boring history of mankind, we talk to, back to the time when the baby was born, the arrival of the doctor can break and promote the cycle to continue. Long shots and montages are both beautifully used, and the transformation scene needs to have distinct focus, differences in parts or scenes, and scene elements. There is no doubt that the personal golden train.
The main competition publication of DAY9 will be released later, please wait and see.
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