In fact, if you think there are several short stories in one movie, those short stories are still very exciting. This film does not have a serious sense of tearing because of the different content of the short stories. I think it is because they all follow the development sequence of the content to be expressed as a whole, unfolding layer by layer.
After reading it, you can guess that the old man in the house must have been a sinner before he came, but he followed his own philosophy in doing evil, namely: balance among all things, karma. But when the old man was in the hut, there was still a recruitment advertisement at the door. I think there are two reasons: 1. The old man wants to leave the hut, and he thinks he can leave if he recruits a new person to replace him, and he doesn't know the consequences of leaving, which can be seen from his last actions and expressions . 2. The old man is not the real owner of the hut. The hut is like a spiritual treasure, looking for a suitable owner. This can be seen from the fact that the recruitment advertisement fell off after the perverted woman became the owner of the hut. It no longer needs to be searched.
So the question is, what kind of owner is the cottage looking for? That's the case of the perverted heroine, whose principle is "the bad guy always wins". This can also be seen from the final cabin closing the door and swallowing the boy.
Unfortunately, in reality the bad guys always win, and in stories as well.
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