I don't like it very much. The director's personal aesthetics are still good, and the integration of the style into Japanese society is not too inconsistent. The simplest lens includes the most complex visual information. But the beginning part is really not very good. Movies have a philosophy on space. A large space will be divided into a small space. There is a connection between the small space and the large space, but what happens in the small space is independent of the large space. For example, in the first scene, the phone is in the dining room, the professor's house is the bedroom and the whole house, and a TV screen is divided in the bedroom, and then there is the inside and outside of the car in the garage. Of course, this kind of space philosophy is not uncommon. Personally, I still think that the professor and the girl have no physical relationship, although many people in the comments think that the two are still asleep. First of all, the girl said on the bed which side are you going to sleep on, who should decide this matter before having a relationship? Secondly, I really doubt whether the professor still has that function. As for the "last shot" mentioned in the comments, no one has explained it clearly, and I don't dare to read it. Let me explain that the "last shot" is neither violent nor bloody, just a small shock.
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