movies. I personally like British movies and heroine Rachel Weitz very much, so I am destined to have a good impression of this movie before I watch it again. Very subjective thoughts. The biggest feeling after watching is that the language of the lens is extremely plain. Some shots can even be said to be documentary, without any show off skills or contrived feeling. Recent movies seem to be following the documentary route, starting from "Munich". From "Sirna" and "Good Night and Good Luck" to this film, it is undeniable that these films are all about political themes, but they are slightly different from the "Rwanda Hotel" of the previous year. Although they are all the same themes, There are some differences in the shooting technique and the expression of the theme. It can be seen that some of the development trends of modern movies. However, there are still more things worth exploring for documentaries. As flclas said, movies are very weak, maybe only Documentaries can bring us the purest shock. The
director has a good grasp of the rhythm. The whole film is calm but not dull, from the encounter between the hero and the heroine to the death of the heroine and the so-called "revenge" at the end. They are all very compact, without any sense of procrastination. For the director is not too familiar with, from the list of credits did not know his name Fernando Meirelles, he is a Brazilian director, the name is very strange, but know is "City of God" director, tough bar, a connection to http: // ent .sina.com.cn/m/2004-02-28/1711316357.htmlDirector's introduction. The performance of the actors is also very brilliant. Needless to say, Ralph Fiennes, the British diplomat he plays, is also the so-called "gardener" with elegant manners, a typical British gentleman, and his attitude changes before and after the film, and he is tolerant but determined. His attitude is very well-prepared. The most impressive thing is that when he heard the bad news in the opening scene, the long shot of his face close-up was shocked and distorted at first, and then restrained and sorrowed, written in just one minute. On Fiennes’s face, I was impressed with admiration. The heroine Rachel Weitz’s performance can be described as otherworldly. Her beauty, her bravery, and her love for her husband are all interpreted extremely well in Africa. On this wild land, like a rose, beautiful and yet wild, Rachel is a very personal charming woman, who is worthy of the Oscar for Best Supporting Actress (in my opinion this Obviously the heroine, maybe it’s because I like this actor better, that’s why I made it so "magical". It’s just a personal point of view, hehe, but it seems that Rachel’s acting career has reached a peak. I look forward to her. The new work "Source", wish her a successful
soundtrack is another highlight of the film, I really like the music inside. Although the song "Kothbiro" does not know what it sings, it is very African, a bit like the song Lost in Air in Tokyo. "Alone in Tokyo" can be said to have its own merits. The soundtrack is Alberto Iglesias, a Spanish soundtrack. He has collaborated with Almodovar many times before. "Tell Her" and "Bad Education" are all his handwritings. The film adds a lot of local African music elements in the background music, such as percussion and indigenous music. The rhythm is as gentle as the camera. "Kothbiro" runs through the whole story. Although you can feel some bitterness and sorrow, it is accompanied by a happy heart. At the hearing and at the end Justin sat silently in the place where Tessa was killed, we still heard some hope, some longing and yearning for truth and justice. Take
this film to pay tribute to those who have worked tirelessly and bravely for justice!
View more about The Constant Gardener reviews
