The first half is not very good-looking, Emma is like a arrogant country noble lady, who loves to be a matchmaker. It's just a matchmaker who loves to drop by, just a little more beautiful. Anya Taylor-Joy looks more and more beautiful, her eyes are big but the corners of her eyes are like phoenix eyes, and her facial features are extremely delicate. The male protagonist was just average at the beginning, and when he confessed at the end, he burst into a halo, and his acting skills were full of charm. It takes about halfway through the film to feel the film's interest. After two unsuccessful matchmaking attempts, Emma gradually gave up her perfect character and realized that she couldn't be a heartthrob forever. The attitude towards the little sisters is gradually gentle, and she can better express her kindness. The confession is too sweet. The most essential part of Jane Austen's novels is the confession. Emma's father seems to be a little senile dementia. He often asks people if they feel the wind in the room. He likes to be surrounded by various screens. But take a closer look, every time I surround myself with a screen, I make room for the relationship between my daughter and her future husband. Much of the film's comedy is centered on the old man. Hairete (I don't know if she spelled it right or not, her eyebrows were specially trimmed with makeup, full of dramatic effects, she always handled everything clumsily, she was an illegitimate daughter with money and no status. She was neither smart nor stupid, she believed Emma, she likes Mr. Martin. She is also lucky, she gets what she needs. The original book is very good, the script has been revised well, and the whole film composition, mirror movement and costume make-up are very beautiful.
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