I really like the director's organization of the picture like an oil painting. He made the dilapidated Paris apartment so beautiful that it smelled musty and was about to die, just like the potbellied and bald Brando in the movie. The image in the film is very angry. But he didn't know that the close-up long shot where he was half-lying on the bed telling the heroine about his gloomy childhood had exerted his charm to the extreme. Maybe there are a lot of women who will become a face because of this sunless face. anthomaniac.
I think the world is very perverted, always made up of countless paradoxes. No one would think loneliness, emptiness, and meaninglessness have value, but so many classic movies are valued by these worthless things, and so is this movie. So, I think the heroine fires the right gun in the end credits, even though the starting point is not so good. After Brando was shot, he walked out to the balcony and looked down on the rundown and filthy city of Paris (this is the true reality, but the people in this reality, like the organizers and contestants of tango competitions, are always pretentious, A clean, tidy and well-ordered appearance) is indeed unlovable, it is better to curl up into the mother's body.
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