There is a faint voice outside the picture... ...for heaven's sake, would you die without a white shirt???)
So, after we got a Mr. Darcy in a wet shirt that just emerged from the pond, we got it again A Chopping wood
in the heavy rain, and it was Edward Ferras (what a gorgeous male version of water) with a wet white shirt.
In addition, the bonus that comes with his Love, Sex, Money theory also includes the opening scene of Willoughby and Colonel Brandon's adopted daughter.
Then, AD adults gave us an unexpected gift, which was added in addition to the three major elements. Blood! Now really complete, LOVE! SEX! MONEY! BLOOD!
Our beloved Colonel Brandon and Willoughby had a very viril duel. The latter's white shirt was bloodied on the spot.
This time, there was no Hugh Grant's old face and diagonal triangle to fight the autumn wind. Mr. Edward Ferras finally raised his eyebrows. He is so handsome, he can definitely overshadow Willoughby in the limelight.
Colonel Brandon is a no-brainer, given that I'm a fan of AR in the end. This episode has put a lot of scenes on him, especially the emotional development of marianne, which has a lot of ink, maybe because of the long time of the TV version.
Haha, it's the turn of Willoughby, Mr. Bean No. 2, I repeat, Bean! I wonder if the casting manager has a grudge against Willoughby, or if it's a group of friends and relatives of Marianne.
Especially in his earth-shattering appearance, as soon as marianne fell, a suspicious figure emerged from behind her little sister, just like a little mouse stealing oil and thief, and the level of joy is comparable to that of Liang Chaowei in Lust Caution, leaping into the car. . From the beginning to the end, from the manner to the plot, Willoughby is a wretched man in the audience. Now I kind of miss Wei Dashao in Ang Lee's version. Although not many people are fans of Willoughby, we can at least understand Marianne's love at first sight for him. But here, all I can say is that when she twisted her foot, she probably broke her brain.
Well, after venting my dissatisfaction with AD, there are still positive things to say. In any case, the BBC will always be the BBC. After being frightened by so many recent ITV adaptations of famous novels,
I am full of reason and emotion for the 08 version. I am grateful, no matter from the picture to the dialogue, it is all fine workmanship, the cottage by the sea in Devon is my ideal interpretation of the English countryside scenery,
the cliffs by the sea, the wild wind and waves, under the rolling hills, in the valley bottom, A small white house. The two Dashwood sisters don't have the star flavor of Ang Lee's version, which is real and easy. (I've always liked Emma and kate winslet, but the dazzling light of a star can easily obscure the charm of the character itself) It's
still worth watching, after all, the last time the BBC's Sense and Sensibility went back 81 years.
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