"Rainy Moon Story"

Brandy 2022-03-22 09:02:28

"The Story of the Rainy Moon", at the end of "The Story of the Remnant Chrysanthemum", director Kenji Mizoguchi used a montage to edit the scene of the successful Kabuki Kikunosuke Yukawa and the scene where the fire of life of the maid Ade was gradually extinguished. Audience with a strong impact. "Story of the Rainy Moon" continued this practice. Genjuro, who went from a small village to a town to sell porcelain, met the noble lady Wakasa. Genjuro concealed the truth of his family, married Wakasa, and enjoyed the joy of fish and water all day long. On the other hand, Genjuro's wife, Miyagi, was tortured and starved in the countryside with her children. The scenes of Genjuro and Miyagi are alternately edited together to form a sharp contrast. Kenji Mizoguchi depicts the absurdity and ignorance of men and the forbearance and intelligence of women. Like "The Tale of the Rainy Moon", under the lens of director Kenji Mizoguchi, women are kind and intelligent, while men are reckless and ignorant. Women continue to give women advice and lead men. When men refuted and insulted them, they did not give up their lovers, and they have always left a harbor of love for them, waiting for them to turn back forever. Miyagi in "The Story of the Rainy Moon", like Ade in "The Story of the Remnant Chrysanthemum", is an ideal type of woman in the minds of men.

It is worth noting that "The Story of the Rainy Moon" is adapted from the novel of Zhiguai. The object of Yuanjuro's derailment, Wakasa, is actually a ghost. Because she died in the war before she had enjoyed love, she was unwilling, so she came to the world to fulfill her wish. This scene is reminiscent of "Strange Tales from a Liaozhai", which is absurd and believable.

The films directed by Kenji Mizoguchi also remind me of some of Roman Polanski's films. Their films all have one thing in common, telling the secret stories in the depths of human nature, and their films, the audience either doesn't watch them, If you look at it, you will be firmly attracted. This kind of feeling is like Genjuki met Wakasa, no matter whether the other party is a ghost or a ghost, he is intoxicated.

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Extended Reading
  • Jaquan 2022-03-27 09:01:14

    86/100, Japanese filmmakers' fascination with ghosts is an enduring tradition (of course, the underlying purpose is different in different eras). Although it is a classical monster theme, the scene scheduling is really top-notch, the sports long lens is delicate, and there are even some cross-time and space designs. Similar to traditional painting, it also has deep three-dimensional considerations. The information distribution and line perspective of the picture frame are extremely elegant, all visible elements are used efficiently, and the music cannot be ignored, which together constitute an outstanding aesthetic system of quasi-theatrical, realistic and surreal mixed.

  • Angelita 2022-03-19 09:01:07

    The tragedy of life and freedom, in order to satisfy one's own needs for a good life. When a better life comes, the man just struggles symbolically and immediately falls completely, and the family is immediately abandoned. There is no news from the man, but the woman will never forget her mission in the family, waiting for the man to raise the man's children.

Ugetsu quotes

  • Ohama: Success always comes at a price, and we pay in suffering.