Animals don't need human "protection"

Fabian 2022-03-21 09:02:50

The 1994 film, I just saw it today, I'm really ashamed. . . But precisely because it is a work from 1994, the director's advanced cognition is even more admirable. (The following is all personal understanding)

Today, many animal protection organizations are calling on people to protect the environment. When protecting animals, they always like to put some miserable pictures of animals. Animals are killed and dying. What can human beings do to "protect" these animals from harm, and One phenomenon is that Western countries criticize China for eating dog meat tirelessly. Don't these phenomena just prove that these people don't put animals and humans on the same level? If animals have the same status as humans in the eyes of humans, animals do not need human mercy and "protection" at all. This kind of "protection" is completely from the perspective of God, thinking that human beings are higher animals, and these lower animals are so pitiful. And it is this kind of "discrimination" from the bottom of the heart that will lead to greater contradictions between humans and animals.

Everything in the world has the same feelings as people. They have wisdom, communication, hierarchy, happiness, sadness, unity, and disagreement. They even have their own persistence and dreams. It is precisely because human beings simply do not believe that some animals have these as well, so they have no hesitation in mutilating them. But at the same time, some countries are still brooding about eating dog meat, because humans believe that dogs have these abilities, and dogs and human society have already blended together (or dogs have actually become humans to a large extent), so humans will Pay more attention to them, and the mutilation of dogs will be more blamed. (In this way, dogs can really be regarded as the first species in the animal kingdom to give up their dreams and "figured it out";) Just like the last choice of these raccoons.

This film is many levels higher than the propaganda of the Animal Protection Association! The director did not design the final confrontation between the raccoon and humans, did not accuse the "evil" of human beings, and did not exaggerate the "miserable" of the raccoon. You can endure this kind of high-pressure life every day.” Some people understand this sentence as a satire of human society, but I feel more that the raccoon understands human beings. It is precisely in the absence of such mutual understanding and equal treatment between human beings and nature that conflicts will continue to escalate. (Of course, it seems even more unrealistic to do this? After all, the survival of the fittest is also a law of nature, and there may be discrimination of this kind among animal species, maybe?)

In short, I feel that the director wants to express a lot, and the concept is not generally advanced. It still seems to be a very deep masterpiece today!

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Extended Reading
  • Hans 2022-03-26 09:01:11

    The first time I saw it, I was stunned by the grand parade.

  • Wendy 2022-01-11 08:03:05

    This is actually one of my favorites in Grandpa Gong’s movies. It is actually a very sad and humorous one. The civet cats face that world and there is no way to change. In addition, I also like the two songs in it. Although I sang very joyously, the sequelae of watching that movie is that I want to cry every time I hear it.

Pom Poko quotes

  • Ponkichi: If we get rid of all the humans, that means... we'll never eat tempura again! Or beef jerky! Or popcorn.

    Tanuki: Hamburgers! Donuts! Potato chips! Pepperoni pizza! Chicken wings!

    [Gonta is moved by this. His eyes tear and his mouth waters]

    Gonta: I can taste it!

    Seizaemon: So, then, do you think it would be alright if we kept a few humans around, Gonta?

    Gonta: [wiping the saliva from his mouth] We have no choice.

  • Shokichi: Master, would you re-enact the tale of the young samurai who shot the fan?

    Hage: Ah. I'll need some help.

    [He transforms into Nasu no Yoichi. He flies towards the crowd. Gonta's eyes bulge as he realizes that Master Hage is homing in on him. The crowd of tanuki scramble. Master Hage lands on Gonta and clings to his back. The Taka tanuki struggles, then hops around on all fours and turns into a horse. Hage rides around the clearing. Water seems to flood into the clearing, and Master Hage rides Gonta into it. Before them is an image of the sea, and three boats. One of the boats has the image of a woman standing on the bow of the boat and a fan on the top of the mast. Hage draws a bow and shoots the fan, sending it flying into the air]