where there are lies, there are murders, you will always find a way to get away with murder.

The whole drama is a tragedy for everyone except those who are at large. Oliver and Conor are definitely going to break up. Even if they don’t break up, they won’t be the same as before. Laurel has been in an ambiguous relationship with a murderous maniac from beginning to end without knowing it, and dumped another handsome guy. Wes could have chosen to believe in Rebecca, but it didn’t. It also indirectly led to his current situation and Rebecca’s death. Although Bonnie and Middleton had no difference, it was because that stupid boy didn’t know that they had sold him. The black girl (forgive me forgotten her name) also broke off with her fiance, and everyone was dragged into the symbiosis circle of the big boss annalise. It can be seen that childhood shadows are extremely important for a person's lifelong development. Sam, Lila, Rebecca, we know that Anna’s murder case, but why did Frank work for her like this? Why does Bonnie always talk about the special relationship between her and Anna? According to my imagination, they must also have dirty things similar to collective murder or concealment, so that Frank and Bonnie both worked like this for Anna, and they formed a symbiotic relationship.
Alas, these little assistants are the most pitiful, and they don't know the truth when they are involved.
A university professor who taught how to get away with murder used her life experience to show us how to get away with it, and she was really drunk. Although it was so bad, you have to admit that you were still moved and shocked by her, her self-confidence , Fragility and so on, but there is so humanity.
The whole drama also runs through social issues such as the sexual assault of children, the gap between the rich and the poor, the concept of family status, and the unequal status of women. It is worth watching without the brain-burning plot.
The plot is like Rob Grille's eraser. First write a fact and then erase it to reveal a more frightening and seemingly more reasonable fact, and so on. But before writing new facts, you have to admire the foreshadowing that the screenwriter bought in the previous episodes. Every shot is useful.
Watching too many dramas of this kind of theme still feels that there are many unreasonable things, but for the artistic effect of TV dramas, it is still acceptable, at least it looks more interesting than the short ones of the parents.

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