British Gentleman's Japanese Feelings

Genesis 2022-03-22 09:02:04

I have never read Kazuo Ishiguro's novels. Even though he won the Nobel Prize and feels that the cultural span is too large, after watching this film more than 20 years ago, he still has not escaped the control of Japanese culture. It is difficult to summarize what Japanese culture is in one sentence, but in this film, the spirit of forbearance emphasized by the Japanese is indeed brought into full play. I have seen an old Japanese film before, and it is also about a samurai who repeatedly rejected a woman's kindness for a revenge plan, and did not want to drag her down. Ishiguro moved the setting of the story to England, in the castle of the central figure of the appeasement policy of World War II, so the fate of the era and the love and hate of the little people were so intricately intertwined. The male protagonist Stevens perfectly interprets the ancient Japanese samurai and retainers, and in the strong old-school British style of modern times, he has been faithfully fulfilling the highest standards of a butler for decades. Loyalty and professionalism prevented him from being by his side when his father passed away, and had to supervise an important dinner party. It also prevented him from standing on the side of the voice of the people's struggle at the juncture of the nation's survival, let alone confronting him in the workplace. If another girl has any admiration behavior, all he has is pedantic ignorance, inhuman indifference, a machine without thoughts and brains, a coward who dare not show his feelings, and he will stay out of the country's righteousness and the warmth of the world. From start to finish, he only smashed a bottle of wine on the night the housekeeper accepted someone's marriage proposal, and other than that, he was perfect. Dignaty, being silent, is part of the Bushido spirit in Japanese culture, and then it is the forbearance of sacrificing self-emotion, using the life of a bystander to see the prosperity of the world, even in the face of loved ones, to extreme pain and self-abuse To the extreme, it is to be cool to the sky, and only in this way can this kind of people feel at ease, and they are qualified to say that this is loyalty. Personally, I feel that Ishiguro has such a kind of coincidence. It is impossible for the British to do this. The servant couple in the film is more like the British. What if they have no money, they just want to resign and get married. More than 2 hours of sensationalism, until the last one was old and still playing with ambiguity, this kind of love has gone crazy, and it can only be said that Stevens is good.

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Extended Reading
  • Vern 2022-03-27 09:01:10

    The plot has a high degree of reduction, but the story is still a bit disadvantageous when used as a film carrier. What needs to be told slowly, no matter how slow the film is, it still takes a limited time to tell the story. The music is a bit negative, and when I read the book, I feel a little sad, but I don't feel sad. Anthony Hopkins' eyes are too bright, and there are individual scenes that suddenly remind of the Silence of the Lambs. .

  • Cleve 2022-03-23 09:02:13

    The old butler was restrained and restrained, hiding his feelings under the appearance of a gentleman. Because of this, I missed a lot, including love, and when I wanted to make amends, I found that the long day was coming. There are many things in the world that can't be repaired. The old club and the old housekeeper also died in depression. Maybe life is dead, and nothing can be taken away. Time makes the result even more sad. I thought of Li Mubai and Yu Xiulian, a story similar to "Crouching Tiger, Hidden Dragon" that Chinese people can understand better.

The Remains of the Day quotes

  • Sir Geoffrey Wren: So, gentlemen, you speak of Jews and Gypsies, Negroes, and so on so forth. But one has to regard the racial laws of the Fascists as a sanitary measure much overdue, in my opinion.

    Wren's Friend: But imagine trying to enforce such a rule in this country.

    Sir Geoffrey Wren: My Lord, my Lord, you cannot run a country without a penal system. Here we call them prisons. Over there they call them concentration camps. What's the difference? Ah, Stevens, is there any meat of any kind in this soup?

  • Miss Kenton: [about a new housemaid] You don't like having pretty girls on the staff, I've noticed.

    [teasing]

    Miss Kenton: Might it be that our Mr Stevens fears distraction? Can it be that our Mr Stevens is flesh and blood after all and doesn't trust himself?

    Stevens: [with the faintest trace of a smile] You know what I'm doing, Miss Kenton? I'm placing my thoughts elsewhere as you chatter away.

    Miss Kenton: ...then why is that guilty smile still on your face?

    Stevens: Oh it's not a guilty smile. I'm simply amused by the sheer nonsense you sometimes talk.

    Miss Kenton: It *is* a guilty smile. You can hardly bear to look at her. That's why you didn't want to take her on, she's too pretty.

    Stevens: Well, you must be right Miss Kenton, you always are.