It is said to be Train to Busan 2, but it is only a continuation of the background (the story takes place four years after the disaster of the first part).
The essence of the film may be more accurate to say that it is a cool film. There are many story lines and protagonists, which are narrated in a multi-line parallel way, and it seems that several protagonists are somewhat exposed to rain and dew.
And the design of the plot may be unreasonable or doubtful in many places. But I personally think that the film still has a certain depth in the shaping of characters and the excavation of human nature: (personal interpretation)
1) [Rescue] The male protagonist gave up saving his sister at first, but in the end he was saved by his brother-in-law who had been blaming him, but he failed to bring his brother-in-law back. . This also directly prompted the male protagonist to finally decide to go back to save the injured female protagonist, because he did not want to give up any hope of life again;
2) [Persistence] The male protagonist's brother-in-law accidentally fell into the arena and was forced to fight to the death with the zombies, but he still persisted and did not give up. save him from appearing;
3) [Love] The two girls grew up in such an environment, but they were still full of love in their hearts, so they saved the male protagonist at the beginning of the chapter; including the grandfather who saved the little granddaughter at the end, he loves his family very, very much Love, he wants his children to leave this hellish city until his death;
4) [Hope] Grandpa has always been obsessed with contacting the outside world. I once thought it was his fantasy, but in the end it was really the "Jane" he kept talking about to save the family and the hero. If you don't give up, there is hope, even if the hope is very slim... …
5) [Kindness] The mother of the two girls in the play is always strong and kind. At the beginning, she hugged her daughter and asked for help but no one paid her any attention, but she still worked hard to survive with her family (let's not discuss whether it is reasonable to live safely in the city of zombies for four years). And she still has good intentions. She didn't hold grudges or blame others for not being saved. Even when she was told by the male lead that she was the one who didn't save them before, she still did not drive away the male lead, but chose to bring the male lead to seek help. way of life. The moment at the end of the film, when she gets hurt and sits in the car and honks the horn, is undoubtedly great. It was for the two children and for the other uninfected people who were present at the time, including the male protagonist.
Perhaps the director wanted to express too many points, so that in the end a clear point could not be highlighted.
At the same time, the portrayal of the group portraits of the villains is basically in place. The gangsters who see money and open their eyes, the garrison who are selfish and kill people for fun, are still very successful. When the battle started in the arena, the excitement and excitement of the officers and soldiers on the sidelines was suffocating. In such an environment, they had completely given up hope of contacting the outside world, and even preferred to engage in infighting rather than unite (after fighting a war) The head of the soldiers has always disliked Captain Shi who has never participated in the war)
And there are actually foreshadowings: the zombies in the whole building that the male protagonist saw when he was inquiring about the situation at the beginning, and successfully used it when he fled; the little girl shouted about the remote control car that she must bring before starting, and finally dealt with the crazy Captain Shi. Also used. (I only remember these two, or I may have missed them)
As for the rationality of the plot, I will not go into detail here. Although I actually question the rationality of the family spending four years in the city of zombies...
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