The Soviet people's aesthetics are also very good, but the war is cruel but only at the beginning, and the rest are all the suffering they saw on the road. The close-up of the characters is exactly the same as that of neo-realism, even if all living beings are suffering, there are countless distressed and funny. The part of the tank is amazing. There is the oppression of war and fantasy. Alyosha is so perfect that he can't help but suspect that he was also shaped after watching his "One Man Defeating Two Tanks" flyer.
But this does not hide the beauty in the movie, the actors are also beautiful, the pure love of boys and girls, the light of two people on the train can't talk because of the noise of the train and can only laugh at any time. Great shot. The same goes for the good and bad people you meet on the road. There is no ending and follow-up intersection, and you can only go on randomly. In fact, there are no real bad people. They are all simple and ordinary people. On the contrary, they are not credible. There will always be a prejudice against Maozi. The front of the general is also too majestic, but fortunately, the battle report when the water is drawn is as impersonal as the big brother, which makes the person listening to it even more insignificant.
The episode of delivering soap is also very good. Thinking about it this way, the structure is the same as watching "I'm resting today" when I was a child. Of course, the comparison between the "reality" of that section and the old father was too great. Fortunately, the children in the building were blowing soap bubbles and playing with the alarm clock with the children in the shelter (should it be the same child who led the way?) It just weakened the greatness. , with romance. Before the bridge and the train were bombed in her hometown, the young Ukrainian woman lay asleep on the daisy meadow. The neighbor woman kept asking if you saw my son.
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