The pianist and Orphan Twist have a bottomless sense of loneliness and a sense of destiny that is unpredictable in the future.
But they all have a very tenacious desire for survival and vitality, which often makes people think that their loneliness is nothing now; food should not be wasted, and every ration should be cherished.
So I ate whole wheat bread that was a week out of date, and warmed up the leftovers in the fridge, whether it was the bread that the clever ghost stole for Oliver, or the loaf of jewish jewishness, it was unforgettable, and the orphanage's A mouthful of porridge...
In the destroyed Warsaw, the back of the pianist and the carriage carrying Oliver away to the rising sun have an unknown feeling.
The director's choice to shoot these should have something to do with his childhood life, right?
As a pianist, I watched several works by Roman Polanski, all good, Chinatown, Macbeth, Oliver Twist,
As if I hope to follow these works, spy and speculate on the hidden corner of the director's brain,
Including the trial documentary of his assault on a 13-year-old girl, what kind of person is this?
At the end of Oliver Twist, the music of the prison visit in the prison suddenly started, a powerful tear gas canister,
Sometimes I really imagine the world 100 years ago, what Europe might have been like 100 years ago?
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