Pseudo-documentary style, cold and restrained narrative, so real that people forget that they are watching a movie. Behind the sophisticated and concise ideas and rough and natural pictures must be careful design and scheduling.
The tabletop play is quite exciting. The picture is fixed on Otilia and her boyfriend's family for a long time. Surrounded by guests, they are constantly waving their hands because of their excitement. It always shows the superiority of Kochi's identity, the complaints of young people in the new era, and their dissatisfaction with The violation of patriarchal power, noisy, cramped, cramped, oppressive... All of which have become more and more prominent in Otilia's preoccupation and loneliness.
Why did Otilia do her best to help her ignorant friend, even making huge sacrifices, even after being annoyed to learn that her friend was hiding something from her? Because she understands that helping others is also helping herself. When she and her boyfriend discussed the possibility of her needing an abortion, her boyfriend's casual attitude made her sad, disappointed, and angry, "Don't worry, I'm not going to rely on you, at least Gabita can help me." It turned out that she had already seen her situation facing the world.
Even the boyfriend's apology is just to escape the intense emotional conflict and quarrel, "I don't want you to be upset because of me", "If it's my fault, please forgive me, I didn't mean it", "I miss each other Get along well", "Everything will be fine", "Stop arguing". At this time, I realized how light and powerless the love words like "I love you and don't want us to be separated".
The end stopped abruptly when ordering food at the restaurant for two. Maybe the secret about being thrown into the garbage chute of the high-rise building was kept silent from then on, and no one else knew about it, and the abortion thing came to an end. But the bloody reality has never changed, it means existence, it is they who are hurt, it is they who bear the pain, and it is they who have to bear the guilt for the rest of their lives. Even though the doctor warned not to bury it where the dog could smell, Gabita looked at the child and said to Otilia pleadingly, "Can you bury it in the soil? Okay?" Otilia also said, "I don't. I would just throw it in the trash", showing women's respect for life, although in the end everything was as the doctor said. This cruel real world has deprived the last trace of tenderness to the little life that has not had time to look at it. Is it fortunate or unfortunate?
Regarding that doctor, the male who is the perpetrator can carry out the second persecution, and this second persecution is based on the identity of the "rescuer", how ironic. (8.5/10)
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