The 9th screening day of the main competition unit of the 14th #Faro IslandFilm Festival# will bring you "Wild Strawberry". The following is the evaluation of the old people on the front line who are looking for the bottom line!
Prometheus:
road to redemption.
Bob_Chow:
The best storyteller in the world is Bergman.
We Min Hee:
I'll watch it again when I'm old, and now I'm more resonating with the psychology of my son and daughter-in-law.
Matsuno Somatsu:
This one... doesn't feel anything, the only surprise is the dream at the beginning, which feels good aesthetically.
Pincent:
To be revisited. road film. The old people's memories, some good memories, some sad memories. People are lonely in the end, but there are also times of warmth.
coco:
Healing the pain from the days of the day-trip, the memories of life and death, indifference and tenderness, religion and redemption flashed again and again, the wild strawberry is a gentle light in life.
zzy granite:
On the verge of death, memories and dreams continue to invade, the fear of death, the repentance of the past, all turned into irreparable sadness. The surreal dreams are amazing and the footage is so beautiful.
Mimi:
This is a film about marriage-family-parent-child-self-redemption, hey. . . Very heavy topic. Everyone is burdened with their own "loneliness", and how to reconcile with "self" is extremely important. If everyone can see the "street lights that stuck their wheels", then the "wild strawberries" in their hearts will also disappear in the "dream". It doesn't matter when you start.
Poem to Edlin:
Rational objectivity is regarded by Bergman as the best way of telling, which is the premise of a complete narrative, but the irrational nature of introspection undoubtedly makes the arrangement of plain and straightforward appearances difficult and disordered, and its private and secret reconciliation is like scattered. Like a wild fruit, it can give the most unsolved confusion and the most eager desire the most reasonable answer and the most relieved satisfaction. It is the best situation and the worst ending that can be achieved.
Bat bat:
Life is fair, and it has long told us that the final outcome of everyone is to dream the same grotesque dreams as reality when they are old. Now I am still excited about an encounter or a piece of clothing, so should I cherish it or should I be ashamed? There are so many pitiful things in this world, how should I face it? Thinking of this, I deeply realize that life is really too difficult and too difficult.
Pours full of Zhao +:
It feels like Bergman is cruel. Regret has been with him all his life, and is about to die. Even in his dreams, he is still repeatedly whipped. The hot young people on the journey and the couples who tortured each other are also the same as themselves. The similar situation of his own son seems to be telling that this loneliness cannot be escaped is a kind of fate. Unfortunately, it breaks through the time dimension. And the last bit of memories of childhood tenderness, it seems that only a few more sharp knives can be inserted in this loneliness.
Cornices:
The approach of death magnifies the loneliness, and the closer to the end, the more I want to look back. In this part, I saw his undisguised softness and fragility, trying to open himself up and show the whole of the first perspective: reflection, nostalgia, repentance, annoyance, nostalgia... There is a fundamental difference between the male protagonist in the dream and reality : In the dream, there is a kind of ignorance back to childhood, because childhood is his subconscious desire and return to heal the unease left by the past years. Seeing that there is a sense of security, it is difficult to tell what it came from. After the wild strawberries are eaten, we can continue to walk.
Ou Yin:
When I first came across Bergman's works, it was actually the first time that I experienced the works of full empathy and ecstasy from these so-called high-quality master films, which is evident to me. The three most impressive places are: the old man dreams, the time freezes on the street corner, the ghost carriage is coming, and a sense of death strikes; "The trial; the car is loaded with middle-aged couples and young men and women, as if the three periods of time in life are traveling at the same time, which is a retrospect of the vicissitudes of life on the road to the node of life. Everywhere, the god of movies is coming.
Midnight no one:
His goodwill has increased greatly, and he has been fascinated by the dream from the very beginning. Fuzzy facial features, evaporated to the sense of existence of only clothes, all our joys, sorrows, sorrows, love, hatred, anger, gain and loss in our life, in the end, it is just a dream that has disappeared. The huge sense of desolation haunted him as he remembered the past spring, the broken first love, the grass and the bright sun that had just grown but was too late to meet. On the journey, he witnessed the passers-by who were more discouraged and hopeless about his emotions, tried to reconcile with the past, and then personally confirmed that nothing could be reconciled. What he finally received was not medals and honors, but the ultimate judgment from loneliness. "Go away, everything is empty."
#FIFF14#DAY9's main competition magazine rating will be released later, please wait and see.
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