Sane, insane then.

Hilma 2022-03-21 09:03:05

"Sex" is a monopolized power, especially in the game of unequal political status.

In the context of war and Nazism, prisoners of war were left to be played and entertained by officers. The weak will develop a sense of self-deception in the extreme predicament, while the powerful will be stimulated by this dangerous and violent sexual power to give pleasure and blessing. Control and anti-control, Max and Lucia slowly move towards false redemption.

Max very much enjoys the sense of asymmetry brought about by this difference in status, which can turn himself into a divine leader who can end the suffering of the other party at any time. In fact, the two are trapped together in the device of flesh and lust, and the original attack and violation have transformed into symbiosis and fusion.

This is also the reason why Max still seems to be unable to hold himself after reuniting. And Lucia, who has experienced physical and mental whiplash, has long turned those painful experiences into sexual arousal, and can get a lot of happiness from physical pain. At this time, the sexual subject is awakened, and this is just right.

Finally, at the rooftop Nazi party meeting, max reluctantly expressed his state of mind:

"Look, Bert.

If I choose to live like a-

like a church mouse,

I have a reason.

I have a reason

for working at night.

It's the light.

I have a sense of shame in the light."

He felt guilty for working at night. He is an elegant-looking, but often unnoticeable violent. They can also take care of the female tenant of the hotel, and have a normal friendship with her, exchanging secrets with each other.

Here max revealed that there is no romance between them, it is a biblical story, and the Bible is a story about redemption. In the concentration camp, he helped her deal with the prisoners who often harassed her, where he could establish himself as both the perpetrator of atrocities and the savior.

Combined with the previous analysis, a loose guess is that he should have a certain balance of the White Knight plot (The Balanced White Knight) in order to enjoy this false demand that does not break the balance.

And those who break the balance of the game are seen as interlopers and enemies.

When they meet again, they have lingering fears, conflict to giggles, and go crazy in sex.

Deliberately hurt myself with glass, joy, satisfaction.

And then in self-imprisonment, hungry and able to hug and have sex.

It's a self-protection mechanism, and pain is sweet to them. This biblical story, therefore, is not so pleasant.

This scene is very similar to the naughty and evil invitation of Anicée

The brief game of materialization is about to become eternity, until they walk out of the room and are shot on the bridge holding hands.

They are all guarding their broken souls.

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Extended Reading
  • Teagan 2022-03-19 09:01:08

    The restoration of the Nazis and the inexplicable women's awakening on the line of Shanggang, the controversy caused by the movie since its release is far more exciting than the movie itself. After reading a few side-by-side articles, I was really ashamed. I really don’t know how to evaluate this weird film from beginning to end. The only thing I can count as my impression is that the heroine has refreshed my understanding of poor breasts. (Hey!

  • Evelyn 2022-03-26 09:01:12

    Marx represents the conscientious Nazi's loss of his own history and loss of the future, which he and Lucia escape through sexuality and who try to prove that love can overcome all hatred, even if it is the one who can kill you . Masochism and sexual abuse, a dangerous, perverted relationship reflects on war and humanity, and the powerlessness of life and death in the face of sexuality.

The Night Porter quotes

  • [last lines]

    Bert: Well?

    Klaus: He doesn't answer. It's off the hook.

    [lights a cigarette]

    Klaus: Tell me, Bert. How long have you known Max?

    Bert: Let's not talk about it.

    Klaus: You don't, er... dance for him anymore?

    Bert: I've lost him.

  • Countess Stein: You were always insane, and you still are.

    Max: Sane, insane then... hm. Who's to judge?

    [referring to himself and Lucia]

    Max: And just you remember... we're both in the same boat.