Through a case to focus on reflecting the unbearable social reality, the truth is not unique and absolute in an extremely complex, dark and sinister society. Through Juan's exciting and even violent case-solving methods, and his previous sensitive identity (the secret police during Franco's dictatorship was transformed into a police detective during the process of democratization in Spain), both of them are not very good. One is The "Xue Zang" police detective who can't stay with his wife and children, needless to say his inner distress and depression, and Juan is even more complicated. After urinating blood, he suddenly fainted and the hint of "the goddess", the time of death is approaching, to him There is also a little understanding of private play, and his previous identity was disclosed through the mouth of a reporter, a ruthless fascist who has committed brutal acts, and Juan, who is a black and white identity, is mixed in the blurred area of today's justice and past black belly. , also cast a layer of human shadow that is difficult to clean and distinguish for the film. Moreover, the director did not want to investigate that the suspect's blood type might have something to do with the upper-level characters to be suppressed. The whole film was gloomy and bleak. After clearing the fog, the case was finally solved, but the upper-level characters involved escaped, and only the scapegoat below took the responsibility. It is as if the truth is not the only one. It is not to praise the moral depravity of exoneration, but to show that there will always be distortions in society, untouchable interests and unchangeable rules. What we have to do is Self-discipline and love.
View more about Marshland reviews
