1. The Hong Kong translation of the name of the villain is more appropriate, everyone is doing evil and everyone may die in the next instant. However, I am very puzzled how the whole villain print is related to purple. 2. Japanese actors seem to have a lot of research on pretending to be ruthless. All the heroic costumes in the film are all the same, with wide eyes, frowning and arching nose, crooked mouth, and exaggerated waving of upper limbs, "Don't underestimate me!". Of course, with the exception of Takeshi Kitano - his body is like a mountain, sitting on the sofa and blinking his left eye, a big man who has been natural since ancient times, other actors who pretend to be ruthless may envy his hardware advantages. The characters who don't pretend to be ruthless in the film are without exception pussy, and the character images are too flat. The only bright spot was that the police officer who had been humbly jumping up and punched Kitano Takeshi, suddenly there was a gust of wind. 3. The gangster films in Korea, Japan and Hong Kong are also consistent in tone, black tone, less soundtrack and less dialogue, and the dialogue should be clicked until you stop reading it a few more times. It is difficult to clarify the relationship between characters and the motives of the events. The backs are more than the fronts of the characters, the female characters appear either to be raped or to be killed, and the characters have to be abrupt when they die (a group of black swans flew over the set), I like them all. 4. It can't be seen that it was directed by Takeshi Kitano. Compared with the other films I have seen directed by him, it lacks a lot of personal style. Would love to see the next one. 5. Add half a star to Mizuno's midpoint.
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