What's scary about the film is its scary realism

Elroy 2022-03-21 09:01:55

After reading the rubber head, I felt depressed and breathless. The horror in the film is not just sensory weirdness, but uses metaphors to reflect the inescapable fear in life. The male protagonist seems to be locked in a room and cannot escape. The only exit is death, destruction, crime. He can't get out, surrounded by cages, his mother-in-law is a cage, desire is a cage, and the exit he thought was just another dirty sewer. He thought that by destroying the deformed child, the crystal of sex, he would be free. But he cannot be free. His freedom is only self-redemption, a kind of destruction, a kind of escape. The ugly, happy and primitive prostitute he yearns for is the only redemption in the film that doesn't count.

The reason for fear is because it is like poetry, like music. It's like a tunnel that takes you into another person's nightmare, completely immersive. Many moments are like bridges, recalling the past, although never experienced.

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Extended Reading
  • Dock 2022-03-22 09:01:49

    Lynch is a neuropathy, and you will be miserable if you want to be the doctor who treats him; you will be very happy if you want to be a patient with a seizure. All kinds of reproductive hints and deformed products were put up when watching the film. In the decryption interview, Lynch said that the props were all made by himself, and he would not let others see them when he made them. The deformed child was made from a raw rabbit, and suddenly vomited.

  • Jovani 2022-03-26 09:01:05

    A Lynch-esque nightmare in which he proved in his feature-length feature that he was not a great director but a great artist. For more than 20 years after that, this somewhat trembling star Nance accompanied us to witness how the artist in this director grew up

Eraserhead quotes

  • Mr. X: I thought I heard a stranger. We've got chicken tonight. Strangest damn things. They're man-made. Little damn things. Smaller than my fist. But they're new! I'm Bill.

    Henry Spencer: Hello. I'm Henry.

    Mrs. X: Henry's at LaPelle's Factory.

    Mr. X: Oh. Printing's your business, huh? Plumbing's mine. For 30 years. I've seen this neighborhood change from pastures to the hellhole it is now! I put every damn pipe in this neighborhood!

    Mary X: Dad!

    Mrs. X: Bill!

    Mr. X: People think that pipes grow in their homes. But they sure as hell don't! Look at my knees! Look at my knees!

    Mrs. X: Bill, please!

    Mr. X: Are you hungry?

  • [first lines]

    Beautiful Girl Across the Hall: Are you Henry?

    Henry Spencer: Yes?

    Beautiful Girl Across the Hall: A girl named "Mary" called on the payphone in the hallway about an hour ago. She said that she's at her parents' and that you're invited to dinner.

    Henry Spencer: Oh, yeah?

    [after a long pause]

    Henry Spencer: Well... thank you very much.

    [Henry enters his apartment, while the girl slowly closes the door to hers]