The film modifies the character a bit, changing some of the inconspicuous questionable testimonies in the book to make it more conspicuous and easier for the audience to spot. Although the film is two hours long, the pace is still much faster.
I really like the soundtrack in it, especially when the train departs, it really does make people feel that a wonderful journey has begun. Then there are all kinds of footsteps, the sound of high heels, the sound of boots, all so charming. I have to say, the actresses are all so pretty. With a small mouth pouting, a serious face, a tall figure, and a hazy filter with soft bleaching, it is quiet.
The film also lacks humor:
Pineapple complains about the unpalatable food: "These skewers are of better quality than the kebab. The bottle is more distinguished than its wine."
Pineapple friend opened the back door: "Then as a director of the line, I command you to place Monsieur Poirot in what we know to be the empty berth above Mr. McQueen's number four." The privilege, in addition, Four is especially felt at the end of the sentence that strengthens the tone, + "Turn to page three hundred and ninty-four~~~")
Then, "No. I… I… I think there's a mistake. Je crois que vous avez fait une erreur." (People will speak the local language/dialect they are most familiar with hahaha)
Then faced with a certain sloppy question, a certain lower shop replied with a blank face: "It is about 10:30pm." Hahaha!
In the dining car: The pineapple friend said "You must excuse me. Mrs. Hubbard is upon us." and ran away in despair hahaha
And the scene where the lady in Car 3 found the murder weapon was changed to be funny, with a cold face haha.
Finally: After watching the train in this film, I yearn for the narrow space of the first-class room in the film, the rickety carriage, the small bedroom for one person, the snow passing by the window, the train knocking over the snowdrifts in the middle of the night A small accident, of course, the case will be avoided.
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