During the spring break, the subtle handling of psychological changes, the holiday-indulgence-police station-gang-crime-parting, are all explained with extremely visual and auditory image processing, so there is an ambiguous, extremely vigorous and extremely emotional psychological projection. There are also a large number of superimposed slow-motion shots and gorgeous close-ups of various parts of the body from various angles. Under the pile of halo and close-up slow mirrors, the lyrical poetry and the psychological expression of the characters are constructed. There are also clever renderings of evil, the cover-up of scenery and lyrical music, the gentle monologues of girls and the crimes after the monologue, the setting off of talking with mothers on the phone, the fusion of extreme lyricism and extreme indulgence, creating complex, energetic and impactful The best part of the whole "Spring Break" is the portrayal of psychological changes, the over-colored drunkenness, the real neon demon, the sunset mood song and the catharsis of crime, whether the sentimental brings crime or crime and sentiment as shadow. Young people's sentimentality and longing for evil. The gentle tone of whispering like a confession, the crisp and sharp loading of the guns, leaning into the evil classroom of the abyss, falling into the evil without hesitation.
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