I also talked about this film with Yu Chen for an hour, and the talk made me want to sleep and drink water. When I woke up, I thought about it for a while and it seemed that the two of us didn't come up with any consistent results... This film Our inclination is that the film should be a process of self-reconciliation (with one's own feelings, kinship, and friendship, although not every aspect is deep enough). It might be a bit biased to talk about reconciliation with my father alone. The topic of this film is not limited to reconciliation, such as the dialogue between two young people and the dialogue between the protagonist and the novelist, involving the two topics of faith and art. I asked Yu Chen if she would like the novel "Wild Pear Tree" if she had it in front of her, and Yu Chen said she should - but I actually doubt this, because the author's own kindness and kindness Story, I hate to doubt whether it can be better turned into text. The protagonist and the novelist inside, who is right or wrong? Compared with the topic of reconciliation between the author and himself, I am now very concerned about the topic of acceptance aesthetics and comparative aesthetics—the unity of art form and content. That's right.
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