The goddess Theron has come to fight again after the "City of Extreme Cold". The skill setting of Eternal Life's instant recovery makes everyone want to keep a low profile, and the body armor must be too hot to wear. Attack directly on the meat pad. The shortcomings of the film can actually be concentrated on the female director's inability to grasp the rhythm, wanting too many things, which leads to the scattered power of the film's rhythm, which is complex and weak. For example, the CIA black character was superfluous, his position was swaying, and in the end, it was whitewashed. The character said so much and the result was not three-dimensional. Mixed with a lot of director's private goods, such as feminist axe and gay meme. The whole film is 125 minutes, and the battle is over in 109 minutes. I feel embarrassed by the progress bar. What is the use of the rest? The result is an innocuous plot.
It's a fair score to give Samsung, a lot of processing in the plot can still be better, but in order to make a sequel, a lot of foreshadowing is done, which destroys the highlights of the characters. Because if the heroine dies in the end, her will can be inherited, and the highlights of the characters can be fulfilled. If she doesn't die, the foreshadowing of her injury and disability is meaningless. To pave the way for history, pave the way for Joan to sink to the bottom of the sea. It's all for the sequel, and she can't handle it when she's dead. In the end, the director and screenwriter pushed themselves into a dilemma. And the worst part is the Easter egg at the end, that Qiong is so deep, why didn't she give a blast, just stop there, speechless, and waste so much foreshadowing. In short, it can be better than the previous Vin Diesel who played that robot biochemical warrior. He gave a lot of fights, let's give it a pass in the face of Goddess Theron.
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