If the first two [Jedi Boys] deserved four stars, this one really only deserves two; it seems like I have to admit that maybe Michael Bay really deserves two.
How different is [Jedi: Chase] in the series? In fact, at first glance, there is no, the same scorching sun, the same hot and sexy, the same high-speed fighting, the same glib tongue; but only the most crucial thing is missing.
In popular words: this is a scene without a soul, a group of hot girls without a soul, a car chase without a soul, and a set of sloppy mouths without a soul.
To sum it up: this is a soulless action movie.
Director Adil Abbey may also have something to say, I have worked so hard, and there are no shortage of elements that should be there, even the tone and lens are familiar; if you don't pay attention to the team behind the scenes, you will even think this is Michael Bay's work .
No, you don't actually work hard enough, or you lack talent, at least if you're going to aim for Michael Bay, you're still too far behind. Even far more than the gap between the two stars given to the movie. Because I gave one to two actors and one to Michael Bay, who was a guest star.
"POP-POP"
This is the new identity of [Jedi Men: Speedy Chase] (hereinafter referred to as "Desolate Disease"~) Martin Lawrence's new identity, I even googled the word for this, it's really okay to use it...in English The explanation for this is: USED TO ADDRESS A MUCH OLD MAN (used to address a much older grader), it's really clever and refined; reminding viewers 17 years apart that this pair of "BAD BOY" has become There's "BAD POP-POP" and they're probably a lot bigger than we seem.
It's time to hug the grandson and return to the family, the double-kill duo that will twist the waist when falling and fight, and must wear reading glasses when shooting.
It's time for the Jedi men who couldn't keep up with the trend of young people, and had to succumb to the times when the old-fashioned style and new technology conflicted.
If [Critical Illness] is implemented with the theme, it may be possible to get some points back, but unfortunately, the film only uses this as a bonus.
In addition to talking about age, the duo did not actually show more connotations; Will Smith is still a super-powerful SWAT policeman, but his romantic object has to go to the embarrassed Mexican aunt; Martin Lawrence is still the man behind the mouth full of rants, but the pompous subject has been reduced to the complaints of middle-aged and elderly people. Essentially, nothing has changed, just a little more embarrassment and cruelty.
As I said in the previous article, I have no soul.
"JUST TEXT MY MAMA"
This is the laughing stalk that runs through [Critical Illness], and it also represents the generation and resolution of the contradiction between "BAD BOYS" and the new era, but must such a low-level joke be used as a key point of memory? Even as an R-rated movie, whether it underestimates the laughter of adult audiences too much; or whether it underestimates the bottom line of the old generation's acceptance of young people. The vulgar jokes and sassy talk are indeed the characteristics of [Jedi Men], but whether there is a careful arrangement will obviously bring the rhythm to the two extremes; unfortunately, the first two are good extremes, and this one. Department, but went to the other end.
"This is just a bloody TV show"
This sentence is not my rant, it's just what Martin Lawrence said in the film when he saw the plot develop to a certain extent... Of course... This is what I wanted to say at that point in time. At this point, we need to summarize the plot;
Will Smith fell in love with a drug lord's woman during his young and ignorant undercover life. The two got closer and closer, and even gave birth to a son; after the mission was over, the detective was back on the right track and the woman was in jail. More than ten years later, the woman escaped from prison with the cooperation of her son, and took revenge on those who had punished her, including Will Smith, who abandoned his wife and children.
Of course, the son does not know his biological father, and the woman has a love-hate relationship, and Will Smith is struggling in the vortex of contradictions. In the end, when it comes to confrontation, you say, how can it go without the development of dog blood.
Of course, there is nothing wrong with the plot, because it is a complete story anyway. But this really isn't a 35-episode TV series. You don't have long psychological struggles, you just don't make it clear that the tension escalates, there are no bad women who seduce men, there is no mixing of father-in-law and mother-in-law, and there is no mixing of sisters and uncles. This kind of dog blood doesn't have a soul...
Regarding the performance of the action part of this film, I originally wanted to say "I have to say", but in fact, I really couldn't.
A set of standardized procedures is followed, the fighting with sufficient weight, the seductive eyes of handsome men and women, and the car chase; there is no missing link. Do you think what Michael Bay does will be more innovative than this? Actually not, but he will definitely do more wonderful than this.
I even regret that I spent two hours choosing this movie in my most cherished action movie arrangement, except for the villain's opening set of gorgeous fights and the design of the motorcycle picking up the grenade during the car chase, in this action movie all In the era of trying to raise new standards, I didn't see a bit of jaw-dropping scenes, and what I gained was only a bloodless drama full of dirty stalks.
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