How does 65-year-old Anzhe view death? How to defend against morality?
His ultimate resistance in the film is words. It is the mysterious name in the mouth of the Albanian refugee boy: Kofla, the voice of the mother, the ardent and sad letter of the lover, and the "Vend Words into Poems" of the patriotic poets in history.
He borrowed the body and imagination of the protagonist, a terminally ill poet, to search constantly, and finally came to the end of the land, facing the ocean, shouting and monologue.
An Zhe's mise-en-scene and long takes are absolute masters. Ghostly leads us into its fluid, poetic world. The last scene reminded me of Hu Defu's song "The Wind of the Pacific Ocean": "The earliest piece of clothing The earliest piece of clothing that calls the earliest piece of hometown The earliest piece of memory is the wind of the Pacific Ocean slowly blowing the feeling of the earliest world The world of the earliest feeling ...the earliest awakening of the earliest mother's feeling"
Poetry belongs only to the wanderer. The wanderer is not comfortable enjoying the happiness of life, because the end of a happy life must be death. They're going out looking for something doomed to fail.
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