The director's lens language is very interesting. Many times there is no need for dialogue, and many times it is the same picture as a photographic work. For example, at the beginning, I shot from the top of the heroine's head and looked down at my ex-boyfriend, which is very novel.
The hostess's small apartment is very warm. There is a large floor-to-ceiling milky white gourd-shaped table lamp, and a bouquet of flowers is inserted into the bottle. The hostess also put a rectangular slate with a flower printed on it, and carefully displayed it on the bookshelf, which is particularly delicious. The scene where the heroine listens to the sound of the flagpole is also very interesting. She is really delicate and can feel the loneliness of the wind.
The female neighbors from Africa are also very interesting, and their views on the African indigenous people are very direct, not because of what zz is correct.
Italian women are so different from French women. French women are like little boys, dry and thin, wearing sassy and quirky clothes. Italian women are very mature, with small stiletto heels, half skirts, a small bag in hand, and swaying when they walk, very feminine.
Alain Delon was very young in it, and there was a depression under his cheekbones, which made him look handsome and cold by nature.
It is also very interesting that the heroine is holding the ballpoint pen of the naked woman. The plot of two people falling in love is also very fresh. They test each other. The two people are too different. The female protagonist is concerned about the life of the drunkard. Light and natural. The last two people frolicked in the apartment, very real, complaining about the extra arms in the middle, really like two people who are close in love. I didn't understand the group portrait that ended, is it worth the director? Concerned about peace issues?
All in all, the movie is fresh and unconventional.
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