I've said this film many times, but I haven't written it. It is the most appropriate to write now, for you and for you. One of my favorite Granny Varda films. One characteristic of the French New Wave is that it ends well. A scene stops abruptly, and it is definitely not sloppy. As for the aftertaste, I want to watch it a few more times. Cleo's tangle in the past two hours. It captures most of the confusion that occurs in our small lives. Then she patted her shoulders and told us that in the face of the war between right and wrong in everyone's small world, everything should be less optimistic, more sunny, and more positive. The film uses a lot of jump cuts and visual montages. Varda almost always uses long takes when looking at the scenery outside. At that time, a friend asked me that I felt that Varda's footage was a little difficult to understand, but it wasn't that Yunshen didn't know where to go. It just wanted to be complicated. Varda and most of the French New Wave directors have a characteristic, that is, the use of the lens to integrate the audience into the film, forming a first-person visual experience. Whether it's Cleo's bedroom smoking decadent hypocritical, or emotional singing, or watching a street artist's performance, playing his own songs and thinking that it will attract attention and wearing sunglasses, and meeting friends, every time Every scene is very similar to us in life. This film does not let Renoir express in many ways, nor does Truffaut's childhood portrayal, but Cleo's last sentence "I think I'm all right." Just hit the sore spot and reflect on yourself.
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