The movie is absolutely stunning. No matter how the script is compiled, the actors perform, and the historical facts are laid out, they are all impeccable. The collision of human nature and the paranoia of ideals are presented in detail under the language of the lens, which makes people feel empathetic. I have to say that Western film workers are really good.
Sean Penn is still that Hollywood bad boy. Old and old, still so strange and distinct ugly. The wrinkles on his face are so deep that they can hide filth and filth and support living creatures, and the eyes are so cloudy that it is impossible to look directly at them - but, isn't this male protagonist amazing? The old one has a lot of life tension, isn't it?
I wonder if the audience has noticed that there are movies in China in which older men and women are the absolute protagonists? It seems not. Even Japan and South Korea next door will use elderly actors to star, why are we not in China at all? (And another next-door neighbor, India, doesn't have either)
Just imagine, if an old Chinese actor grows up to be the same style as Sean Pan, will he be able to receive the show? Anyone watching? If you say that no one sees it, why is it that foreign ugly old men are seen, and everyone gives such a high score of sincerity and appreciation? So here comes the answer. What China lacks is not an audience, but a professional team that allows veteran actors to play. Screenwriters are not good, directors are not good, and producers are not good, so the old Chinese actors have been wiped out collectively, and they have basically retired passively after 50 years old.
China's film and television industry is currently completely guided by the fan flow culture, no one can blame others. To blame is that Chinese art schools are not good at cultivating talents, and their style is not correct, which wastes such a large audience base and capital resources in China. sigh, hateful, disgusting~
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