The level is limited, I will change it in the future

Mable 2022-09-16 17:49:47

"The French Lieutenant's Woman" movie viewing notes Two clues in time and space: 1. The transformation of similar objects such as telephone ringing, the same scene, portraits, etc. 2. The advancement of the storyline; 3. The relationship between characters, the relationship between actors and actors' reality The relationship between characters is different from the story relationship between characters. Ending: In reality, the two actors did not come together, and the two characters in the story lived happily together. The emotional experience of the two in the two endings is different. In the story, the heroine's longing for love is ahead of its background, and in real life, the heroine's choice of feelings is also progressive. Progress is compared against the context of the times in the story. The status of women in real life has been improved, which is unimaginable at the end of the story. Although the background of the times is different, the emotions should be common, but the reality and the ending of the story can't help but make people wonder, is the love deteriorating or is the emotion different? My personal thoughts are as follows. The first point is that love has not changed. It should be the people who are in love who have changed. We can see that the male protagonist's initial love in the story seems to be right, but the emotional foundation is weak and cannot be called love. So abandoning the shackles of morality, the daughter of the lord and the heroine who suffers from the accumulation of emotions, the contact between the latter and the hero is more inclined to emotional triggers and resonance. In real life, the actor has a wife and daughter, and in the context of modern openness, it is even more difficult to analyze whether the actor's affection for the actress is an escape from the family or true love. Secondly, the price for the success of the hero and heroine in the story is the ruin of both sides. Even though the heroine has already fled the town, he is considered a "treacherous" person in the same environment as the hero at that time, and the price for the two is about freedom. The price is not just love. It was a hit-and-run at this price that both of them were willing to pay the bill. There are two people who have the same rebellious feelings outside of love. Even if there is no love for the two of them to think ahead, they will cherish each other. Love is just two people. Outgoing fuse. In real life, the fetters of a beautiful family, etc., did not make the two have the idea of ​​​​completely leaving. It can also be said that the hesitation of the hero does not give the heroine a stable commitment. Maybe what they need is that the station is not at all. distance.

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Extended Reading
  • Kiarra 2022-05-07 06:01:04

    ①The subtle class relationship between the declining aristocracy and the emerging capital upstarts; ②The discussion of feminist topics is in line with a certain lesbian movie that is far better than last year's fire; ③-Why don't you go to London to live a new life? -If I go to London I know what I will become, I will become Lyme. Some people already call me. I am fragile, I am guilty. You can't imagine my suffering, I can only be at ease when I sleep. The nightmare started when I woke up: how am I, how am I not Miss Freeman! Not jealous, but not understanding. ④In 1857, it was estimated that there were 80,000 prostitutes in London County. One of the 60 houses was a brothel. At that time, the male population of London was 1.25 million, and prostitutes picked up 2 million visitors every week. ⑤The best background for the workhouses, poor women's laboratories, and brothels is the cloudy sky and night in London. ⑥ Once a tutor is unemployed and driven out, he may become a prostitute.

  • Dock 2022-05-07 06:01:04

    It seems that Guan Jinpeng’s "Ruan Lingyu" form innovation appraisal is going to be lowered. The effect of the play is not only to superimpose and integrate the two stories, but to separate the audience from the audience, making it look at the "French Lieutenant's Woman" from a distance. This story has become a tool to promote the emotional process of male and female protagonists in "reality". Although the time of "reality" scenes is less than that of "movie", "movie" time reversely shows the process of emotional development of men and women in "reality" The extremely detailed and natural, this special technique is extremely wonderful. When these two stories are viewed side by side, the sense of change of the era is highlighted. The strict religious rules and secular gaze of the Victorian era contrast with the hidden lingering emotions in contemporary emotions. The nature of the former highlights the criticism of the era. The asexuality of the writer portrays the bitterness of unspoken love. The contrast between the happy ending of the "movie" and the tragic scene of "reality" at the end also distinguishes the difference between the screen and the reality, while the plot of the "movie" and the plain writing are scarce. His "real" life also proved this.

The French Lieutenant's Woman quotes

  • Dr. Grogan: Do you wish to hear her? Do you wish to see her? Do you wish to touch her?

  • Charles Henry Smithson: Pray control yourself.

    Sarah: I cannot! I cannot!