The current war movies seem to be deliberately downplaying the boundaries between justice and evil. What the audience sees is only the difference in political stance. The winner does not mean glory, and the loser will not be labeled as shame. More extreme, losers tend to receive more sympathy and moral support, such as the terrorists in "Anti", in the slogan of "Assembly": their sacrifices are also immortal. I can't tell what position the director of "Anti-War" takes to view the war between the United States and the Middle East countries. In my impression, the American literary and artistic circles are the main force in the anti-war camp. Although they are unable to stop the war, they Through literary and artistic works, many people have changed the way of thinking about war, that is, they have broken through the narrow view of war between justice and evil. It is said that "Assembly" has set a precedent for Chinese war movies in this regard. I haven't watched it yet. If so, then I think Feng Xiaogang can be upgraded from a famous director to a respectable director.
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