Even when I was in the theater, the woman watching the movie alone next to me yawned and checked her mobile phone text messages from time to time.
But what I want to say is: why must it be bitter and difficult, why must it be stream-of-consciousness postmodern?
"Blueberry" is really a beautiful romance. The actors all performed well, and the cinematography and director were also excellent.
Just think:
1. If this is another director's film instead of Wong Kar-wai, would you feel bad?
2. Why does Wong Kar-Wai have to be profound, stream-of-consciousness, and post-modern?
The answer is that these so-called literary and youth audiences put various labels on Director Wang. Once Director Wang breaks away from these labels, they will feel disappointed and feel that "Blueberry" is too easy to understand, too popular, and not "literary" enough. And if it was another unknown director who made "Blueberry", I'm afraid not so many people would scold it.
This is still a phenomenon, in short, a phenomenon of restricted thought. Maybe some Wen Qing is fascinated by the feeling in the mist, the things that no one can understand, but he "understands", so that he "draws a clear line" from ordinary people, making him feel that he is higher than others .
Let's talk about the film, anyway, it is also the opening film of the Cannes Film Festival. At that time, I didn't win an award at Cannes, and I thought that maybe it was not a heavy and deep relationship. But that doesn't mean it's bad.
The film was shot by Darius Khondji, who worked on Seven and Panic Room.
No matter how good Du Kefeng is, this year's director of "Paris, I Love You" is also very disappointing. Looking back, why do you have to have Wang + Du? Just like a good piece of chocolate doesn’t have to be paired with raisins, it can also be paired with hazelnuts. If it doesn’t go well with nothing, it can still be delicious.
Norah Jones plays the role of a more obedient girl, and her temperament and feeling are not too far from her own life experience, and she does a good job. Most of the other actors are big names, and they feel that they are quite in place.
Music has always been Wong Kar-wai's forte. This time, although the background music of "Springtime" and "2046" is not as impressive as before, it is generally good.
The plot is simple and doesn't require much speculation. Using a lot of foreground and draw frames, Fujifilm has vivid colors that give it a lively and lively feel.
This is a warm and beautiful film.
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Time is always an issue. Time and the concentration of love have always been closely related. For too long, it will fade, someone will escape, cheating, distrust...
Elizabath's love is stranded, and everyone who is brokenhearted needs a pair of gentle ears.
The lines are still good. The blueberry pie may be the real self. The sold chocolate cake, cheese cake, is a mask in front of people. Our real face is unknown, and after wearing a mask, it becomes a hot sale.
After the movie, we went looking for blueberry-flavored cut tobacco, only to find it was sold out.
It doesn't really matter.
A man can turn himself into her for love, the alcoholic she. His death made her grow up. (Ani's paragraph)
And if you can't be the learned and silent person, but become the kind and friendly but empty-hearted person, then it doesn't matter, I can be the learned and silent person. Because that's what I adore.
natalie portman is still lovely. This image is somewhat similar to the showgirl in "Closer".
But her part with her makes people feel that you still can't change others. It has nothing to do with trust or distrust.
If you get lost, you stay where you are and keep waiting.
Her sunset is no longer his. Elizabath's blueberry pie was just right.
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