Personal talent is sparse and shallow, and after reading it, my face is stunned. I don't know the director's background, and I can't think of any political metaphors. In the film, I only superficially saw the heroine's struggle due to the marital crisis, the madness and pain of the severely depressive patient, as if seeing the former self.
She was sometimes calm and sometimes violent, switching only between breaths; she could not control the convulsions of her body, and she twisted violently as if to break her bones; Shouting and hysterical, I wish I could tear myself to pieces and throw myself into ashes... I really want to reach out and hug her and comfort her that everything will be alright, but even I know it's just a lie...
After seeing her at Anna's apartment, the detective boss said, "It's easier to choose the bad one, and it's much easier to give up struggling after suffering." Anna showed a sad and relieved smile. Although shameful, escape is useful.
At the end, she was unfortunately shot when she took her ideal "perfect husband" to show off to the male protagonist. Only then did she realize that what she really loved was still this imperfect but real man in front of her. She picked up the gun and took her last breath, dying with the man she loved the most. Only death can deliver her from the devil, and only love can deliver her salvation, which never comes from God.
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