Before his son drowned in a dive, the film paints a portrait of a happy family with plenty of Moretti-esque humor and satire. In particular, the psychiatrist he plays is in a state of depression when facing various patients, which means that every psychiatrist is a mental patient. Moretti's intellectual humor was in the male patient who had sperm on his brain all day, and the female patient who complained to him about the uselessness of the treatment but immediately made an appointment for the next doctor's appointment after venting her emotions. It was not until the death of his son that the mood and direction of the entire film turned. When the daughter was playing basketball at school, she dribbled the ball to the front court and saw the sad expression of her father on the sidelines. She stopped dribbling, stared blankly at her father, and was then snatched by the opponent. The expression of this emotional transmission impressive. Everyone is crying, father, mother, daughter, this is the most desperate accident for the family, it is impossible to get out. The father regretted that he didn't do anything else with his son that day. He still insisted on working, but it was himself who needed treatment the most. The complaints of those patients about life in front of him were so insignificant at the moment. Moretti did not exaggerate his emotions, life continued, crying only occasionally, more sluggish and weak. The appearance of the son's girlfriend before his death brought the family's breath about the son. They drove the girl and her companions to the gas station to help them continue their journey. It may be a relief for them to carry on with their son's memories outside the family.
View more about The Son's Room reviews
