Documenting phenomena is more stressful than deliberate madness. I was attracted to the trailer, but the feature film was so shocking that my tongue was numb. Recorded some impressive clips. 13:13 The picture changed from flowing to stillness. The yellow sand was long, and it was scattered in the air by the wind. A stone statue stood still with the passage of sunlight and stars. With the sound of Xiao Yuan's loneliness, the camera moved slowly, and the light and shadow were bright and dark. One of the great things about the film is the use of light and shadow. The shadow of light is like the hand of God stroking every ridge and branch, slowly lifting the twilight caged on it, revealing the true face of the cliff and the horned branch. At 16:08, the light, shadow and time are condensed here through a window and a sparse roof with an ice-sky curtain with a few stars nailed diagonally. In this room, time has a concrete appearance, and the moonlight flows like waves on the sea. The fast-moving footage of human society in the later period at 34:54, the night of the human world moving at a high speed, blue light spots fell into it, like a fluorescent coast full of blue tears, the camera moved rapidly, pushing through the high-rise buildings, and the edge of the city was a The lonely moon is nailed to the pure black curtain, and the world below is built by countless fluorescent green light spots. The soundtrack of this film is also a must, and the sensory effect brought by the picture is very smooth. However, from the thematic point of view, this film does not give me a strong sense of reincarnation, whether it is structure or content arrangement. Although there is a reflection of the head and the tail, such a simple correspondence cannot reflect the big proposition of reincarnation. Does it mean that no matter how noisy the process is, dust returns to dust in the end. Many deliberate shots and madness are far less touching than macro and real records. This film is well worth watching if you don't study the theme.
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