I watched this wild pear tree in Ceylon yesterday, inheriting the dialogue of hibernation and still focusing on people themselves. The relationship between the stratum and the hometown is actually analyzing the male protagonist for us. Frankly speaking, the male protagonist has no audience, and his stubbornness and persistence look like the arrogance of young people. He didn't want to rot in his hometown, but with the ambiguous kiss under the tree again, he thought that his unique idea was stinging the famous local writer with a fiddly touch. Qiaotou Broken Arm still failed to hide the evil in his heart, such a disgusting stubborn and arrogant young man. But he is also a portrayal of ourselves, and we don't think of this world in our hearts. The role of the mother is a guide, bit by bit guiding the male protagonist to return to his family and return to his hometown. Even if the hometown is as rough as a wild pear tree, it is unavoidable. Even if his father was bad, he would not be hated. The fragment of the newspaper he saw when he returned home after being a soldier finally reconciled with the man who was once full of resentment and arrogance. Move stones down the well, go, "I want to make my hometown full of greenery", there are no twists and turns, but this is how ordinary boys like us grow into boys, no longer against the world, but It is to love the life that is closest to you with love. (Kissing that girl under the tree is really beautiful)
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