After watching American Glory, I followed Paul Giamatti's work list to see this. Before these two films, I had seen Truman's world Control Room Director Twelve Years as a Slave Freeman was not too impressed. I went back and checked it out to find out. In this film, I was only framed at 32:23 by Danny, the main character who was framed, and another guy who didn't know who was in the office scuffle and saw Paul in red clothes and turned his head. Later, I learned that Rudy, a police informant, was played in the film. There are only 26 candles on the police hat cake for Travis's 60th birthday, but it is still very appetizing. After "Chicago", I have the impression of the second film that clearly stated the location. Someone in the back said, "Hurry up and find the designer of that building." Suddenly I couldn't guess who they would look for? When I saw the part about removing the camera, I thought of colonoscopy, although I haven't done colonoscopy yet. Only later did you notice that there seemed to be black plastic bags sticking to the outside of the building in the sniper's field of vision? Outside the windows on the 20th floor? I kept looking at that tall white-bearded Baker, something was wrong; in the end, the second male hit the male one by one, and the kidneys were over. So in the end, it must be more than just the old man who was shot. I envy the snipers on helicopters with long legs.
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