First of all, Tokyo is a cosmopolitan city. Like Paris and New York, it exists beyond the country. But like all the cities of peaceful nations in the world, he is a combination of pioneers and established ones. 1. In the big city, we are small and often the appendages of big companies or partners (line: I have never lived in my own world), just like interior design, chairs are of course indispensable, but What's wrong without you? I think the director is still warm, you can have no ambition, only you feel at ease. 2. The orderly modern city is so peaceful, and the war is too far away from us, people respect each other like a guest; but the ancients lived in peace, there were always some potential conspiracies and dangers around us, we always forget it comfortably, just like there was World War II in the sewers The bomb left behind is something we didn't expect (and I was actually punched by a homeless man), Japan may not be obvious, look at the world's No. 1 power waging wars in various names, intra-racial struggles, and the proliferation of certain black Europeans , robbery is common, taking the opportunity to make trouble. (The courtroom drama is so ridiculously ridiculous, the criticism of militarism is so sharp that Japan accepts it as well; the judges and lawyers are hypocritical, and the monsters are the childlike hearts of heroes, I think it's a bit too much). 3. In a city where all kinds of people gather, we are inevitably hurt by others, and some people will close themselves up because of this, afraid of having any contact with others; the result is the degradation of human nature and numbness. It's like a robot; the director should encourage people to take to the streets and talk to others bravely, it's not natural disasters that force us to stick together.
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