Nothing, let me get wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet asfkjljdsaydflag, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet, wet Wet wet wet wet wet wet wet wet wet wet wet wet wet wet wet wet! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
Well, it's alright. [The guest officer, don’t go
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This is a small cost, experimental British independent film. Generally speaking, I will pass this kind of tag as soon as I hit it, but I have watched a lot of "I won't watch it in my whole life" for the sake of getting wet. Fortunately, I didn't miss a lot of good ones.
This time Lao Shi played another actor with a daddy issue [Hey, why should I say it again] 90% of the time of the film, I can only see this picture of Ivan Locke driving in the car. Those who haven’t seen a wet figure on the big screen for the whole year have eaten enough [muddy]
In the case of only one actor showing his face in the whole film, the storyline and the previous relationship are all based on telephone communication, which is undoubtedly greatly Tested the director's ability to control the field and starring in the field, and this film did both. The performance shown by Tang Shi in this film is definitely at the actor level. Although he lost to Yimei in Filth on bafta, this kind of introverted performance is really not easy to show in the awards. Or borrow the words of a fan girl-too damn proud of Tang Shi. Of course, the performances of other voice actors are also good. I think since Sister Scarlett can rely on Her to take the cast, I also support Andrew Scott's nomination of bafta's best actor. 【Who are you
According to the director’s interview, Locke’s source was John Locke, a British enlightenment thinker, and yes, he was the founder of the doctrine of decentralization in high school history textbooks. Locke believes that all human behavior can be resolved rationally. Of course, this is an idealized assumption. There are too many uncontrollable forces in reality. Just like Ivan Locke, as a conscientious construction worker, "the last good man in England", But because of an accidental drunken derailment, the whole life was disrupted. After everything happened irretrievably, he tried to put the development of the situation under control again, which also constituted the main line of the whole movie.
Locke's character is probably not very flattering in real life, because his rationality and integrity are almost ruthless. He could choose to avoid the consequences of derailment at the beginning, but he didn't do that. He could also fabricate an excuse to ask his boss for leave, "You can say you are sick", but he didn't do that. When his cheating object asked him whether he loved her, he could have said he had loved her, but he was unwilling to use lies to comfort the lonely woman. The solution he faced with his wife was to "wait for me to come back and have a good talk", but his wife broke down because of this betrayal and didn't even want him to come back.
We have all encountered a battered situation. Most of our lives have encountered two or more troubles happening at the same time, and the troubles Locke encountered are much more serious than those. On the one hand, the child who was derailed was given birth in advance, and on the other hand, the heavyweight project was about to be implemented. He was determined to shoulder these two burdens by one person, just because he wanted to be a person who could bear the responsibility, contrary to his father. When he decided to go to London, he had foreseen what would happen, he would lose his job, stand on the dock of moral judgment, and his life would be turned upside down.
However, he drove on the path of no return, trying to control his life as if holding the steering wheel firmly, and did not shrink from facing anything. This courage is almost Sisyphusian.
The director has a good grasp of the atmosphere and can push the audience to continue watching, wondering what will happen next and what the fate of the protagonist will be. The scene is confined to the interior of the car. The driver is the only protagonist in the camera, and the emotional changes in his facial expressions are all exposed under the eyes of the audience. And the old wet performance is absolutely fucking natural. When he and his son were on the phone, my legs were weak when the tears fell. Fortunately, I was sitting in the cinema seat.
At the end of the film, the sun will rise, and the cry of the newborn baby comes from the car phone. After all, Locke still missed the birth of the bastard, but he still drove towards his intended destination, in order to fulfill his promise. The future is unpredictable. Because no matter how the Rockists pursue rationality, they cannot change the fact that people are the product of irrationality. There are so many factors in the world that push you to the brink of destiny, and you must make a choice.
When you choose, remember not to drive after drinking and wear a condom for sex.
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