Love June Flower: "Real writing" has always been a writing creed of some foreign classic writers. So Henry, or Karouac, author of On the Road, Camus, author of The Outsider, Nabokov, author of Lolita, and so on. Often these modern writers have had a huge impact on the entire contemporary civilization. Therefore, in the era of the transition of civilizations of the century, when more things are tolerated and exist, more and more people who seek truth and sincerity will be attracted by the characters of these cutting-edge characters. Just think, if Anne lived in a country full of chicken soup for the soul, how could he fall in love with Henry again? again
Or grow up in a country where independent thinking has been castrated since childhood, then the so-called feelings in the adult world are nothing but animal-like sexual interactions. How can we seriously examine the beauty in the human soul?
The appearance of Joan, the wife of writer Henry, seems to be like a black widow spider. She seems to have a more precise grasp of the weaknesses of human nature. Due to limited luck and talent, she is helpless to the future in life, and she can only live in one. A still satisfactory state of self-preservation. Although her ability is limited, she always shows a strong self-confidence in her own cognition.
The relationship with her so-called father is all well-planned and a matter of course.
The heroine Annie is like a sponge. When she and her husband were in bed, she said: "Tell more truth, or lie." This is a kind of prophecy or revealing her voice, which means that she intends to capture chaos + some real human beings Emotion, curiosity and courageous exploration of taboos.
However, such a film should be poisonous or very tempting. For more literary and artistic young women, will they be attracted by Joan's personality in the film after watching it, the kind of arrogant and straight high nose and eyes A certain kind of good and evil temperament convinced. And what about the beguiling and wise nobility of choosing to be such an independent quality?
When Joan and Annie watched a movie together, the sentence that deliberately seduced Annie: "You are like a teacher, I am like a student" is so straightforward, which represents a hint that it can be the same as the love of female teachers and female students in the film. . It may be more fun, beautiful, and flying to suggest same-sex affection.
When the two heroines were drinking coffee and playing with marionettes at a cafe, Joan said her parents were in show business. Foreign performing arts circles have always used the performance of real emotions as the benchmark, or show it. And if there are too many standard answers, there is a place where there are boilerplates. How can there be more real and interesting people? So in some places there can only be a group of humanoids that interact like animals. mistaken for learning
Sexual liberation, while ignoring that it is a kind of human liberation. Therefore, in the current Chinese people, there is only one night of sex, and there is no one-night love at all. It's a logic, not obvious, but it makes sense.
The moment Annie gave Joan the money to buy a ferry ticket, I finally understood that Annie's husband gave her a comfortable life, but what she wanted was to use the money her husband gave her to find a real and interesting life, and find real and interesting people and things.
Dostoevsky is mentioned in the dialogue of the characters in the film, one of my favorite writers, Joan's expectations of Henry. It is also the original intention of Joan's willingness to help Henry. Joan hopes that Henry will write her into a perfect image, because she can't write like this, she can only be a loyal reader.
Fortunately, I have read some of Dostoevsky's books, the Russian writer, when he writes things, he really delineates the characters deeply and deeply, and touches the pain of the soul.
And I've also seen Henry's Tropic of Cancer, the brushstrokes are chaotic, real, free and uninhibited. But that kind of project is huge and profound. Henry's writing really can't do what Dostoevsky does. If there is pain, then Dostoevsky's pain is his own innate. The blood gene came, and Henry's pain came from a chaotic life. This is
Two completely different writers.
So seeing the quarrel between Joan and Henry, I can understand, but I can't choose to stand in line. Nothing is wrong. One is a shattered dream. One is the positioning of different types of writers, and it is not wrong for Henry to choose to be himself. Well, the hopelessness and irreconcilability reflected at this time, the director's performance is still good. Showed a little bit of power.
But it also shows that Joan doesn't really love Henry, she loves a talent that can realize her dream. So she can even promise to drink and talk with the ticket seller, and have a possible human touch.
Annie's role in running out to comfort Joan when the couple quarreled was also very subtle.
Joan was crying, her emotions were intense, and there was a kind of despair that her dreams could not come true. But seeing Annie coming to comfort her, at the moment of emotion, her eyes showed a little desire, and her eyes began to discharge and seduce, but Annie was only moved by Joan's true temperament, and Annie hugged Joan. It was only at this time that Joan came out of a mood swing of desire, and was temporarily overwhelmed and warmed by the power of the present friendship.
Feet awkwardly hugged Annie. But this is only the first step, human emotions are always so subtle changes.
They went to Lala Bar together. I have been there before. On Siping Road in Shanghai, there is a 1088 bar called Lala Bar. I went there to perform. We were performing on stage, and the audience was like the bar where Joan and Annie went, and those lesbians were just there flirting or doing that kind of dance.
Joan said she was afraid of Annie, which seemed to me to be a lie. In fact, it is a language skill to remove the opponent's defense. Because Annie in the Lala Bar is still in a wait-and-see state, although Annie thinks there is nothing wrong with it, from a moral level. But it seems that she has not done a good job of intervening prematurely, because if she intervenes, it will not be as easy as a bystander. So she was fondled at the cinema
, Being touched in the Lala Bar is also a polite acceptance, and it feels like a ticket. If you reject the ticket, how can you see another real world?
As the two of them danced, Joan told the truth, saying that she had done a lot of nasty things, but in a high-level way. In fact, I definitely believe this sentence, and the word "advanced", at the moment when both of them are a little intoxicated, is also a hint, suggesting that Annie can have some particularly pleasant experience. Then Joan used the rhetoric that she was about to leave, creating a kind of worrying about gain and loss, drawing a dragon
For the finishing touch, I also gave Annie a piece of jewelry. All Annie's inner defenses were overwhelmed, and all indecision turned into firmness, so they confirmed the opening ceremony of the emotional game.
Next, in a bar, when her husband Hugo went to play the tambourine, Anne told Henry that she and Joan had kissed, which was equivalent to telling Henry that Anne had opened the door, ready to experience human nature and emotion.
The next Annie is like a catkin that burns, do you think she is lost? Did you say she was possessed by a lecherous demon? In fact, the lewd demon still underestimated her level, because she also wanted to subvert a traditional view of love and attack the old concept of morality, so such a movie has already been compared with that at this level. "Wuthering Heights", "Blue Bridge", "Gone with the Wind", "Liang Shanbo and Zhu Yingtai" were produced
Great moral differences and tearing apart from different outlooks on life. So such a film is even more out of line than "Revolutionary Road".
After a happy time, Henry couldn't stop writing a letter to Anne to express his lovesickness. But I wonder if this is Joan using Annie to control Henry? After using Anne to control Henry, let Henry reshape the perfect Joan when writing novels, this is a possibility, although bold prediction, but this logic can have. Although I was watching the movie while writing down these feelings.
But I was thinking, why is Joan so confident? Is she really like what I wrote earlier, is she such a confident person? Blind confidence. Think Annie can take care of Joan? Saying "care" is nice, but it's actually controlling Henry and making him concentrate more on writing novels. It seems that Joan's hope is rekindled?
Annie and Henry watched a movie together. Some people in the movie theater were uncomfortable with some of the naked scenes in the movie, saying they were nasty and perverted, but Henry, Annie, and some of the audience supported these scenes. It also seems to illustrate a feeling that the old and new worlds were alternating at the time. Although Henry's later novel "The Tropic of Cancer" has many bohemian descriptions, it seems that the original film at that time has
After the first move, there are already pioneers in the cultural aspect. The story in the movie is set during World War II.
When Anne and Aguido told about a sexual fantasy with Joan, Aguido said: "Perverted pleasures hurt normal passions." I think this sentence is very important, and the audience may ignore a realistic meaning behind this sentence. Because in real life, there are indeed many normal heterosexuals who are bent, and he or she is often just curious, especially some women just put this - the same
Sexuality is dangerous when it's a cool fad to show off. The film's exploration of some aspects of human nature is indeed very profound.
What is the classical repertoire played by Annie's husband? Nokia mobile phone ringtones?
Joan finally showed up long after she left, just as Henry was about to publish his book. Joan was first dissatisfied with the royalties and secondly dissatisfied with the content of the novel and said it could be better. But the real situation, I think it seems that Joan likes to provoke Henry very much, but Joan also said that the content of Henry's book is very violent. It can be seen from this that the demon in Joan's heart is very powerful, and she can pass the plausible reason.
To sway other people's emotions, male or female, she needs to create chaos to destroy a certain balance she doesn't want to see before she can highlight her importance? God of Destruction - Joan. What she needs is her importance when interacting with people, irrational, what she said hates violence, but subconsciously seems to be a kind of appreciation, she catalyzes violence, and then uses her tears and tears to film
bye. She is elusive, with a mystique of a cult disciple.
But when Joan walked out the door, it seemed to make people feel that Henry was taken away by Annie, and she was let down by them. But I'm thinking, with so much ambiguity in the previous story, where is Joan's real thoughts? Joan's former father, her painter girlfriend, and the temptation to Annie, these feelings came first, why would she care about the relationship between Annie and Henry? so
Is the chaotic Joan falling in a helpless and chaotic abyss, so she can only allow herself to dance randomly, and not allow others to deviate from the trajectory of her life in the slightest? It still makes people feel a little bit of heartache, but this kind of heartache is only because of what Joan has planted and got what results, but she doesn't know it, and she is too emotional
Strongly suppressed the only reason, the whole person is a devil? Her miserable situation is actually directly related to her own chaos. Split personality.
The good news: Anne finally returned to her husband Hugo, ended her relationship with Henry, and Joan left Henry, but Anne and Henry have always maintained a friendship of friends, friendship of writers, encouraging each other to write, by Book.
Perhaps the film directors and actors have exaggerated and exaggerated the emotions and emotions between the various characters. In real life, it may be more real, bland, temperate, rational, and logical.
Summary: The brilliant colors projected by this film made my heart flutter slightly.
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