In 1992 Tsui Hark and Jet Li's film, no matter the action design - especially Donnie Yen's sparring of cloth training into a stick, or the humanistic style, or the profound national crisis, or the bloody struggle of revolutionary lofty ideals, to fight for independence, freedom and democracy. The dedication to the country and the tender and moving love are undoubtedly the best in martial arts at that time. Tsui Hark was really amazing back then, and it shows Tsui Hark's concept of family and country: he is actually an ambitious young man with the world in mind. . . . .
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