The pig housewife and the porcupine girl are two roles that fit the current feminist point.
The housewife pig's family role is entirely a babysitter, no one cares whether there is her, the machine can take her place and no one finds it. She sang at home in an attempt to get approval, but no one cared about her. But when the machine malfunctioned, she couldn't help but dance in the supermarket. After that, she found the confidence on the stage and the family's admiration. This is a story line where the value of a housewife is despised but she has found her dream to establish another story line of her own.
The porcupine girl has always been the accompaniment of her boyfriend, her dreams and talents have been ignored or even trampled. When I was thinking about how to break up, she passively broke up because of her boyfriend cheating (you can see from here that the house was for her). After she was single, she was heartbroken, but she gained independence in creation and performance, and found her true self in music. This is a story line to find oneself and not be an appendage under the oppression of others.
In the chimpanzee line, the most correct three view is probably that the crime is always going to be caught. Of course, through the realization of dreams, parents are impressed, affirming that their family relationship is the main focus of the story. Although it is a routine, it has to be said that a hug from prison escape is still a bit suspicious.
That jazz mouse is probably the protagonist. I don’t know how to evaluate his story line. From the beginning, you can see that this is a profit-heavy, arrogant villain (shu). In the following story, he did not get any good results. At the end, it seems that he did not appear after being rescued by the little beauty? To create such a role may be to appear in the protagonist group with a high-tech and low-quality role and promote the plot (after all, because it ruined the theater)? I also hope someone will discuss it.
The protagonist koala and the elephant girl complement each other. The so-called "Don't give up what you like because of fear" has been said many times in the play, and it is probably the central point of the whole story.
Of course the most important thing is to have a rich three-generation star and three-generation friend? [Fog]
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