love and redemption

Ericka 2022-03-21 09:02:14

It happened that I just watched "Happy Lazzaro" yesterday, and the religious knowledge in it helped to understand this film.

First of all, "Breaking the Waves" mainly discusses the relationship between love and redemption, and the director continued this discussion in a more straightforward dialogue in "This House Was Made by Me". In "Breaking the Waves", love completes redemption.

In character setting, Bess is a redeemer like Lazaro. The film first explains that she is a dedicated person; she tolerates outsiders; she has experienced hardships; she is pure and kind; she is innocent and refined The image of Lazaro is similar to the image of Jesus in Lazaro. Likewise, the religious rulers in the film are hypocritical and dictatorial; the believers are blind believers, ignorant, and kind.

In the plot, Bess finally reaps the love that came from Jan after praying for many years, which appeared like a miracle. But during the wedding, we learned that there is no bell in the church, and unblessed marriages have hidden dangers here. What kind of bad luck will happen to an unblessed village?

Immediately afterwards, we saw the church's deprivation of women's voice and status, not allowing women to speak in the church, and not allowing women to watch funerals. The customary burial curse in the village was discovered by the outsider Jan, both verifying the ruler's hegemony and hypocrisy. The hidden danger of tragedy deepened again.

Bess, who sincerely prayed for the early return of her lover, but waited for Jan to be paralyzed due to an accident. She began to wonder if her intentions were too sincere to cause her divine power to manifest, and she also blamed herself for not being able to wait obediently, which opened her up. road to redemption. Here, in her dialogue with the doctor, she discusses "some people live but die."

In redemption, her bargaining chip is sex, one of the seven original sins, with sexual sacrifice in exchange for her lover's life, and finally her own life. It's interesting that every sacrifice Bess seems to lose his mind, can be exchanged for Jan's condition to improve, I think this is a miracle that the director deliberately arranged; like the Lazaro/Jesus story. Jan's role also changes in the film, from suspicious, to disgusting, to good and rebellious, and finally, as Bess prayed, Jan was redeemed. At the end of the film, the miracle came again, and the church bells from God's perspective followed the ship after Bess was buried at sea.

Borrow two religious symbols from "Lazaro". Water represents birth-death-resurrection, purification and redemption, reproduction and growth, which may be related to the setting of the scene. The residence of Mian Chaohai and the way of burial at sea have already covered the cover of funeral stories. While the moon represents women, the full moon represents the completion of the ritual of redemption.

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Extended Reading
  • Kennedi 2022-03-26 09:01:07

    Rewatch. Dogma's first post-95 LVT film, with sets, soundtracks, special effects...but most importantly, it has the realistic immersion the manifesto hopes to convey. The first thing that comes to mind is the Holy Fool in the Orthodox Church (Skardo in Stalker), but it's not accurate. Because Beth's subjectivity is close to zero! Although the opposition between women and the conservative society of the political economy frame is established from the beginning (Beth has never been in the same frame with the priest), Beth has not rebelled against it. LVT especially understands that love is not the focus of the film at all, so why did Young let Beth fall into the arms of other men, and why did Beth change from a "virgin" to a "prostitute"? None of the films give a clear logical explanation—and this is what makes "Breaking the Waves" particularly fascinating: editing through emotional continuity. Throughout the ages, there have been countless movies about the direct communication between people and God in disguise and questioning the intermediary and legitimacy of the church. The reason why "Breaking the Waves" can survive is its high level of immersion in reality. There is no power or magic at all.

  • Shannon 2022-03-23 09:02:14

    Narrative structure suffocating type

Breaking the Waves quotes

  • Bess McNeill: [as God] Bess McNeill, for many years you've prayed for love. Shall I take it away from you again, is that what you want?

    Bess McNeill: Oh, no. I'm still grateful for love.

    Bess McNeill: [as God] What do you want, then?

    Bess McNeill: I pray for Jan to come home.

    Bess McNeill: [as God, in an impatient voice] He will be coming home in ten days. You must learn to endure, you know that.

    Bess McNeill: I can't wait.

    Bess McNeill: [as God] This is unlike you, Bess. Out there, there are people who need Jan and his work. What about them?

    Bess McNeill: They don't matter. Nothing else matters. I just want Jan home again. I pray to you, oh please. Won't you send him home?

    Bess McNeill: [as God] Are you sure that's what you want?

    Bess McNeill: Yes.

  • Bess McNeill: Have you taken my calendar?

    Dodo McNeill: What? No I have not. What would I want with your calendar?

    Bess McNeill: You've taken it.

    Dodo McNeill: I have not taken it.

    Bess McNeill: Yes you have.

    Dodo McNeill: I don't know what you're talking about. What calendar?

    Bess McNeill: Where is it?

    Dodo McNeill: [returns to the room with Bess's calendar] Bess, you have to stop all this, you know. I mean you've got to go on living when he's not here. I mean he's not dead. You're not dead.

    Bess McNeill: Give it to me.

    Dodo McNeill: You've got to stop it.

    [Bess rearranges the ripped up calendar, staring at the words "I love Jan" on the corner]