FLCL, which was born in the first year of the 21st century, is a glorious page that GAINAX cannot get around. It is jokingly called a wonderful fantasy that uses all the money made by eva on it. Oh). She is really special, and there is one film review that feels the essence: the wild dreams of the big players in the industry when they were young, crumpled into a ball and exploded, and evaporated instantly after being ironed, the boundless fantasy of the fusion of literature and wildness, I do not If you try to understand it logically and give up emotional analysis, you will be able to experience the wanton madness as the story runs wild. Naoya Tsurumaki, Shinji Higuchi, even the ruffian, Yoji Enokido, the character set Sadamoto Yoshiyuki, the mirror sand and snow, the music Komong Nobuyoshi joined forces, with a water-like awareness, delicate and changeable cuts and style switching , to show you what you can and can't say when you were a teenager in the language of the camera. The pillows soundtrack is Crane's private life, but it has become another classic. Bold and comfortable, arrogant and bright; it can be said that Haruko's great reading tailored for Mayumi Nitta is full of sexual hints and metaphors, all kinds of pinch and play tricks, all overflowing the screen are the hormones of youth and irrelevance. Marginal fantasy. Yes, boundless, melancholy, confused but infinite, this is the romance of teenagers and girls: robots, big sisters, Vespa roaring and raising dust, rock and roll, Never knows the best cigarette fire, teenagers transforming into saving girls , the bat that finally swings, the home run that turns the tide, and then the electric guitar that can break through the sky (but it should be the bass).
fooly cooly (and indeed, first love cyber love) There is no better adjective than stupid and handsome. In my opinion, Haruko is Taro's youthful romantic fantasy and the most direct manifestation of desire, the most daring and desperate pursuit, the adults who are clamoring for mature haircuts and bluffing false eyebrows in the barbershop are drawn out There is only a small slingshot, which symbolizes the decline and cowardice of courage and imagination, dogmatic and powerless; Mimi, who haunts Taro all day, likes the phantom left by Taro's brother, she knows that the longing hero is in the distance. On the other side of the ocean that is out of reach, her wanton playfulness and hints are just confirmation of her own sense of security, even if it is arson, the male protagonist who can be put on a collar is just a substitute for such an image (that's why I hate older girls. . . ), all she needs is solace in absolute control, so after Taro finally swings the bat and the kitten leaves her, the little monster becomes her new pet, and she breeds this deformed void and Malice, until she lost the reins again. . . But in the end, Taro's firm growth and maturity made her finally start to look directly at Taro, and finally began to pursue her own meaning again, leaving the town, from accessories to independent thinking, this is her synonym; Atai is this The beginning and end of this magnificent fantasy, the TV robot is the symbol of his rationality, the horns that break through the forehead are messy desires, the feeling of betrayal when breaking through the father's love affair, the unwillingness to swing the bat means that there are infinite possibilities for his ability before swinging the bat , is actually a child trapped in a stronger image, awkward, trying to show his maturity but powerless, physical shame, desire to protect when girls cry, always fantasizing about becoming a powerful robot to save the world. Fire and water, ran away with desire and finally reached a reconciliation, watching the chaos and romance that represented desperate and indomitable, riding the Vespa to the depths of the universe in childhood dreams, and gave up many things. There is a firmer ground than before. The sensitive teenager who used to be impulsive and desperate to prove his uniqueness stayed where he was and is growing up, just like you, me and him in front of the screen. Take the guitar (bass, forgot the model...).
Youth came with a roar, turned everything upside down, and left us on a sunny day without leaving a trace, just like Haruko said after a big riot: Because Naota is still a child, and then left, she Has it come? The stirring ripples stopped abruptly at a certain moment, and all those imprints and proofs of existence may be fixed on that electric bass.
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