- What am i?
what is this?
what am i in this?
- You are a mother.
- A mother?
-Yes. Someone who prepares her son for the world.
- What does a mother do then?
-She dies.
The most memorable dialogue in the movie.
The stamina of the ecological box is a little big, the absurdity and the grotesque are parallel, the magic and the reality.
After reading some movie reviews, most of the audience may call it boring, the review film is superficial and unintelligible. pressure.
The latter is still understandable, but I think it expresses more than that.
Even if it is a personal over-interpretation, Quan should not spit out unhappiness for the stamina.
The opening scene "Dove occupies a magpie's nest" alludes to the subsequent two people raising children who do not belong to them. Some film critics said that the whole story is to interpret this picture. After appropriate extension, can it be explained that such efforts and efforts are in vain after all, and the existence and reproduction of the whole life seems to be a falsehood.
Interestingly, the first package they received when they were trapped in the eco box was a living being.
The carton has the words "RASIE THE CHILD AND BE RELEASED".
This was the first order, or the first hope, they received after entering the biobox. In the later period, the heroine always had certain hopes for the life body she raised. When she was infinitely close to reality and death, she got the answer "She dies".
The ultimate meaning of release is death.
Every composition of the film is perfect, "A cloud-shaped cloud" The clouds in the sky are in the shape of clouds, the sun is perfect from beginning to end, supplies are sent every day, and the neatly divided community is wide and wide. A clean room, except for the passage of time, nothing changed.
I underestimated the fear that comes with being perfect.
Food loses its own flavor, and there is no wind in the air. There is no direction in the siege.
Except for the life form in front of him, there is no clue. It is always observing and imitating, voice, movement, demeanor, tone.
It doesn't have its own name. Lack of emotion.
The only two or two moments when they could feel its mood swings was when they found out that the car still had electricity to sing and dance in front of the car with the headlights on, it joined them in feeling their momentary indulgence and happiness, dancing with excitement, But then he accidentally knocked the male protagonist to the ground, was slammed down by the male protagonist, and still stood up and continued to jump; the second time was when the female protagonist fell asleep beside him, he stretched out his hand and hugged the female protagonist from behind. .
Other times he expresses it through screaming and silence.
If you think of it as a normal family, the mother takes care of and raises the children, and the father seems to be silent and rational in digging holes (work) day and night, as if it were the norm in real life. However, in the film, the two had to be trapped here because of an unreliable viewing experience, raising a freak. The heroine raised him in the hope that he would let them leave at some point, or take the opportunity to spy on it. Secret, and the male protagonist wants to rely on himself and leave this illusion by digging a hole.
The man saw its danger earlier than the woman. He tried to lock it in the car and starve to death, but he let it out because of the heroine's compassion. Their purpose is never simple enough. Whether the heroine has feelings for it, I think it is. Similar to Stockholm Syndrome, in a cognitive environment that is divorced from reality, she falls into despair, the subconscious of human nature and motherhood makes her unbearable, and the feelings of getting along and the fear of the unknown make her confused.
Their purpose is not pure enough.
The pit dug by the male protagonist ends up in the former owner's body bag. He exhausted his energy and was finally put into a body bag and stayed at the same end point as the previous owner, the pit was immediately filled, and the new grass covered everything in an instant. It is a playful bystander, never participating and never stopping, as if accustomed to such a game ending, as it should be.
The female protagonist saw the body bag when the male protagonist died, and understood that everything was just a game controlled by others. Hit it hard with the hoe. As soon as the camera turns, it lifts the roadside steps and escapes to the ground, a distorted space, a room shrouded in different colors. She sees another animation where it's watching weird lines, watching a caregiver making love and clapping loudly, an elderly woman sitting at a dining table praying, a man committing suicide in a bathtub.
Sex, religion, death.
A closed and repressed parallel space, the bizarre Number 9.
There is no way out.
Eventually she came back to reality, and then reality was still an illusion. Waiting for her is also death.
The door to the room has always puzzled me. A door against the wall in the living room always feels redundant. Until it escaped and opened the door, maybe it was the passage to the real world.
The whole film is depressing and grotesque, false and realistic.
The perfect life in reality, having a house and a car to cultivate the next generation, has become an established fact in the movie. Even they don't need to work to make money, so they don't have to worry about food and clothing, and their children grow up very quickly. But is such a life necessarily perfect?
The people inside the besieged city and those outside the besieged city are disdainful of each other and content with each other.
Some film critics said that after watching the film, they were afraid of marriage and did not want to have children. I don't want to lose my freedom.
I think it's more about keeping oneself sober.
In fact, it is not always apathetic freak. It always regards the heroine as its own mother, trying to gain understanding and comfort. But they don't try to understand it, they haven't solved their own problems, they're still panicking in unfamiliar situations, trying to comfort each other but eventually losing patience and trying to find solace in other things.
Similar to real life, men turn the focus of their lives to work and socializing, trying to numb themselves by appearing to work hard to escape the trivialities of family life and the dullness of day-to-day life. Women lose the opportunity to communicate with their husbands, and in panic, they turn their emotional focus to their children, hoping to make up for the lack of emotion and expectations for the future in the children.
It's a vicious circle.
Only when people solve their own problems first can they try to help others solve some problems through understanding and frankness.
The child is brought into this world by his parents without his own consent. should be treated well.
Children are independent beings. Not a container for parental or anyone else's emotions. Parents are the child's first mirror, and education is the second.
In the film, it is familiar with the rules of the real world by observing and imitating its caregivers. It tries to get attention by screaming, and after the heroine says "What do you want? You are so disgusting" to it, it says that's its way. Missing emotion, discordant family environment, failed communication, it misses out with emotion. The grotesque lines on the TV and the alien characters on the books show that it is being educated in this illusory world.
In its world, YONDER is reality. The two titular caretakers were the ones who prepared him for his entry into their world.
And when he was ready, they were no longer needed.
I don't want to try to understand the film in a realistic frame.
And jumping from the movie to the real world, a thousand people have a thousand Hamlets.
Relative to their life, human life is quite long. I think every choice and process in life need not be rushed.
There is no need to try to pursue the perfect life that society has established.
Always keep your body and mind clean, observe and adjust yourself. Focus on the way you treat others and be kind.
Try to reconcile with yourself and understand others.
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